When a celebrity dies, is it ok to do a brand-oriented tweet about it, especially if it’s really clever?

When a celebrity dies and you have a great idea for tweet with a  meme, should you send it out right away? Probably not…  At least that’s the lesson that Cinnabon learned when they tweeted out the image at right following the announcement of Carrie Fisher’s death. (Star Wars fans and satirists have long noted that Princess Leia’s hairdo resembled a pair of rolls.)  When the inevitable criticism followed, Cinnabon quickly deleted the tweet and apologized.

PR Daily came out with a good post earlier this week addressing this very question with some pretty good answers.  Follow the link for the whole post, but here’s their basic advice:

  1. Timing is everything.  Take the time to think it through before posting something.
  2. Make sure your team has proper training. Your social media people need to understand PR and PR ethics.
  3. Heed lessons from other brand managers’ missteps. Usually you won’t be the first person to have made the same mistake.
  4. Even small errors can be blown out of proportion online. The internet is an unforgiving place.  Especially when fan boys and girls are involved.
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Thinking about W. H. Auden on a morning in early winter


W. H. Auden

I have been on sabbatical this semester after stepping down as the department chair and becoming a regular professor.  I’ve been working on a variety of projects this fall – finishing up work on ancillaries for the Sixth Edition of Mass Communication: Living in a Media World, working on collecting data on sports boycotts and civil rights, working on a book review, and working on a paper on “fake news.”

But I’ve also been spending time exploring the poetry of British and American poet W. H. Auden.  I must confess I had not been familiar with his work until recently, but I started seeing mention of his work, most notably in the novels The Ice Limit and Beyond the Ice Limit by Preston and Child.  A ship captain, who falls for the somewhat mad leader of their expedition to the Antarctic, quotes Auden on a couple of occasions.

One passage is from “Musee des Beaux Arts,” which tells the story of Icarus falling from the sky after flying too close to the sun and how amazing things happen in front of us that we take little notice of:

But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.

A second quote comes from “Atlantis,” which deals with impossible journeys:

Being set on the idea
Of getting to Atlantis,
You have discovered of course
Only the Ship of Fools is
Making the voyage this year,

Auden’s poem “Funeral Blues” was famously quoted in the movie Four Weddings and a Funeral, and that poem is likely a contributing inspiration for Joe Jackson’s song “A Place in the Rain.”

The stars are not wanted now; put out every one,
Pack up the moon and dismantle she sun,
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good

Here’s Joe Jackson’s take on the same structure:

Auden is also quoted in Tuesday’s With Morrie from his poem “September 1, 1939” (Many of Auden’s poems do not have names, only date of creation). Like the rest of the quotes I provide here, I don’t know if these are the verses quoted in the book/play/movie, but they are the lines that stick with me:

And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die

May I, composed like them
Of Eros and dust,
Beleaguered by the same
Negation and despair
Show an affirming flame.

 My most recent reading of Auden has been “In Praise of Limestone,” which was discussed at length in Alexander McCall Smith’s appreciation of Auden, What W.H. Auden Can Do For You. “Limestone” speaks so strongly to me in large part because I am in love with the landscapes of the American West, in which limestone plays such a prominent role. The open spaces of Utah, Wyoming, Arizona; the badlands of the Dakotas, all show what limestone can tell us.  McCall reports that “Limestone” is Auden’s most republished poem, and I will continue that trend her with just a brief quote:

If it form the one landscape that we the inconstant ones
are consistently homesick for, this is chiefly
Because it dissolves in water. Mark these rounded slopes
With their surface fragrance of time and beneath
A secret system of caves and conduits; hear these springs
That spurt out everywhere with a chuckle
Each filling a private pool for its fish and carving
Its own little ravine whose cliffs entertain
The butterfly and the lizard; examine this region
Of short distances and definite places:

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Holiday Flashback – Sigourney Weaver & Buster Poindexter do “Baby, It’s Cold Outside”

NOTE: This time of year, one of the most consistently popular posts on this blog is the video of Sigourney Weaver & Buster Poindexter singing “Baby, It’s Cold Outside” from Saturday Night Live.  So for those of you who don’t know to be looking for it, here it is! Originally posted Dec. 13, 2011.

I’ve been looking for this for years!  A 1986 episode of Saturday Night Live featuring Sigourney Weaver singing “Baby, It’s Cold Outside” with Buster Poindexter, the former head of the SNL Band.  My favorite version of this Christmas classic.  This was also the episode that featured “Alienses” and Weaver’s 8 minute version of the opera “The Rise and Fall of the City of Mahgonny.”

Baby, It’s Cold Outside


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Godspeed John Glenn

Godspeed, John Glenn.

Note to my friends – bet you don’t have a John Glenn Hot Wheels play set on your office shelf – I do. Includes Mercury capsule, space shuttle, and three figures – Mercury astronaut John Glenn, Senator John Glenn, and Shuttle astronaut John Glenn.

My John Glenn Hot Wheels  Play Set on the shelf in my office.

My John Glenn Hot Wheels Play Set on the shelf in my office.

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Farewell to Pebble – Indie smartwatch maker shuts down after being acquired by Fitbit

The Pebble TimeIt was with real sadness yesterday when I read that Fitbit had purchased smartwatch company Pebble in order to acquire their software engineers and intellectual property – but not their core smartwatch business.

Fitbit is the giant fitness band manufacturer, and company officials told Bloomberg that they hope the Pebble software talent will help them better compete with tech giant Apple.

I have long had my eye on Pebble since they initially made the news with an enormously successful Kickstarter campaign to fund the production of their initial smartwatch, the Pebble.  I became a customer with the launch of their second generation product, the Pebble Time.

The key benefit of the Pebble is that it has an e-ink screen rather than the more typical LED screen like the Apple Watch or Android Wear products.  E-ink is not as bright an flashy as the LED screens are, but they draw very little power, allowing products like Amazon’s Kindle Reader and the Pebble to operate for long periods of time without recharging.  For example, a typical tablet needs charging after several hours of use, but a Kindle without a backlight turned on can run for weeks without charging.  An Apple Watch can have a hard time making it through one day of operation without a charge, while my Pebble Time is typically good for three-to-four days on a charge.

I liked the Pebble because it was relatively simple, relatively inexpensive, long running without a charge, and compatible with both iOS and Android phones.  I liked that it was a smartwatch that served as a simple fitness band and as a second screen for my phone. And I loved that a young startup was trying to do something new and exciting.

I don’t blame Fitbit for killing off Pebble.  The company did that to itself. They had trouble keeping up with the competition and were facing declining sales. They also had a product that was not really polished enough for prime time. I love my Pebble, but it has idiosyncrasies to making it work that I would not accept from Apple.

What’s happening here is pretty typical for the media and tech industries where small startups bring out innovative new technologies, over extend themselves, and then get bought out by more established companies.

I’m sorry to see Pebble go, though.  And I hope someone else comes out with an e-ink smartwatch.  That was a really cool idea.

Update – Nice appreciation of Pebble from Alejandro Alba at Vocative.

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The Price of Global Journalism

My friend Dr. Chris Allen, a journalism professor at University of Nebraska at Omaha, has been working on global journalism issues from Russia, to Afghanistan, to Oman, and beyond.  I am reposting what he wrote on November 22 with his permission as a reminder of the cost our journalists pay for covering the news around the world:

Journalist Ahmed NasrDuring my time in Oman five years ago I shared an office with Dr. Hosni Nasr, who became a great friend and colleague. In July I met his son, Ahmad,a journalist, who had just moved from their native Cairo to Oman and was looking for a job. He got one, I’m not sure with which organization, and two weeks ago was sent to Iran on a story. He disappeared, and there has been a frantic search for him. Today I found out he has died, but I do not know the circumstances. My heart weeps for this young man, his father, my dear friend, his mother, whom I also love, and his brother and sisters. May God in his mercy give them strength to get through this time of grief.

I sit at my desk with tears in my eyes for my friends, but also for all journalists who have died doing their jobs. Journalists are criticized because they don’t always tell us what we believe, want to believe or want to hear. But the vast majority of journalists are accurate reporters trying to do a good job, just as we all try. They put themselves in dangerous situations to cover stories that need to be told. No one else will tell those stories. No one. No. One. Their only protection is a pen and notebook, a microphone, a camera. If there is shooting they may have a flak vest and helmet. Nothing else. They are not armed.

But they continue to report from situations the rest of us, me included, would never think of entering. They walk alongside soldiers. They search for people with information the world needs to know. And sometimes they die.

There is no war in Iran. By the accounts I read there is peace. And yet this young man has died, doing his job. Ahmad, you will not be forgotten. May you be at peace.

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Blue Hill students present challenging “Laramie Project”

Story from NTV – Nebraska TV

Blue Hill, Nebraska is a small town by most people’s standards, with a population under 1,000.  But that doesn’t stop the local high school from having a vibrant theater program.  Over the last few years, students there staged Shakespeare’s Macbeth, presented a drama about the Chernobyl disaster, and gave the U.S. premiere of Elizabeth Inchbald’s The Massacre.  

Under the direction of of Blue Hill language arts teacher Summer Lukasiwicz, this year’s one-act play was The Laramie Project. The play tells the story of the kidnapping, beating and murder of gay college student Matthew Shepard back in 1998.  Following his murder outside of the town of Laramie, Wyoming, members of the Tectonic Theater Project from New York City came out to Laramie and talked with the locals about how Matthew’s murder affected the town.

The play is a challenging one, presenting everyone’s story in an even-handed manner. But at it’s core, it’s a story about a young man who was killed because he was gay.

Not surprisingly, the play faced some resistance in small-town Nebraska.  While the students and their director received nothing but support from their school and school administration, there were reportedly objections to it by both local clergy and some parents.

By the Thursday before the play’s Sunday performance, they had only sold 50 tickets for the show. The previous year’s play had sold 200 tickets.

So the word went out on social media that these kids needed support.  My wife first read about it when she found a link on UNK theater senior Jacey Anderson’s Facebook page to a local blog, Her View From Home, written by Leslie Means, who is from Blue Hill. Means asked for people to either go to the play or help share the students’ story. I then saw a post on the blog Fairy Princess Diaries, which in between very bright animated GIFs told the students’ story. (The blogger is a singer/actress/writer who has performed on Broadway.) Finally, I saw a number of posts on Facebook ranging from local Nebraska theater people to folks from New York City.

My wife and I attended the show Sunday night, along with a group of UNK theater students, and there was a crowd of more than 300 paying customers there for the play (and for the tables of fabulous desserts baked by home ec teacher Christine Brown and her assistants). I was told by people we were sitting with that this was the first time they could remember that all the tables on the gym floor were filled, forcing many people to sit up in the bleachers.

Among those in the audience were three members of the Tectonic Theater Project who wrote and produced the original staging of the play.

The students presented a 30-minute one-act version of the play that fits the needs of student play competition rules, but even in its abbreviated form the play is moving.  And these young people from Blue Hill did a great job with it.  Keep in mind, these same kids were playing football, cheerleading, and doing every other imaginable high school activity.  When you attend a small high school, you don’t specialize.

So let me congratulate director Summer Lukasiwicz along with her cast and crew:

  • Cast: Lindsey Hafer, Collin Brown, Becky Cox, Britney Toepfer, John Rouse, Bradley Morse, Jami Kirchner, Brendan Hafer, Trinity Cox, and Sadie Looters
  • Stage Crew: Yuriko Hernandez-Piel, Brock Iliff, Olivia Buschow, and Dakota Busboom


Thanks for a great evening of theater. (And for the cake and pie…)

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All Media are Social – alt-right figure off Twitter, death threats on Facebook & fake news ban on Google

Lots of social media in the news this week:

  • Twitter suspends prominent alt-right accounts
    Twitter has suspended a number of accounts associated with alt-right figure Richard Spencer.  Spencer is the president of a white nationalist think tank. In the past, Twitter has faced criticism for failing to suspend accounts engaged in “targeted abuse or harassment of others.” (WaPo)
  • Cybersecurity CEO fired for posting death threats to Trump on Facebook
    Matt Harrigan was fired from his job as CEO of cybersecurity firm PacketSled after he posted comments on Facebook threatening to kill the president-elect and claiming he was going to get a sniper rifle and place himself “where it counts.” Harrigan’s Facebook account was set so that only his friends could see his posts, but that didn’t keep his posts from being screen shotted and shared on social media.Harrigan told the Washington Post:
    “I said some things that I’m deeply regretful for, and I would apologize to anybody, including the president-elect,” Harrigan said. “If I could take it all back, I absolutely would, because of course I don’t mean any of those things. They’re absurd.”

    “It was intended to be funny, but it was a very bad joke in very poor taste,” he said.

    Hint: Death threats against anyone are never funny. They are especially not funny when directed against the president or president-elect.

  • Google to ban “fake news” sites from advertising using AdSense
    There’s been a big backlash as of this week about fake news being shared through social media such as Facebook. The Wall Street Journal is reporting that Google has responded to this by banning the sale of AdSense ads to companies that on pages that “‘misrepresent, misstate, or conceal information about the publisher, the publisher’s content, or the primary purpose’ of the website.”
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“Do they still sing the blues in Chicago?”

I first became a Cubs fan back in the late 1970s in the years before lights were installed at Wrigley Field. That meant that all of the Cubs’ home games were day games.  This meant that during the long days when I was out working in the seed corn fields or trimming trees I could listen more often than not to the Cubs playing on my little AM transistor radio.

Please remember that this was before we had iPods and smartphones to bring in entertainment.  This was back when a WalkMan was brand new cutting-edge technology, priced way beyond my meager student income. So I became a Cubs fan because they were the team that met my needs.

I was also a big fan of Chicago folk singer Steve Goodman.  I even saw him in concert in Des Moines in 1981 or 82 in a show with John Prine. He was a little guy with an enormous heart who desperately loved (with a big dose of realism), his Chicago Cubs.

In 1983s, Goodman wrote a beautifully sad ode to the Cubbies called “A Dying Cub Fan’s Last Request.”

Do they still play the blues in Chicago
When baseball season rolls around
When the snow melts away,
Do the Cubbies still play
In their ivy-covered burial ground

Before long he goes into a monologue outlining the perfect Wrigley Field funeral:

He said, “Give me a double header funeral in Wrigley Field
On some sunny weekend day (no lights)
Have the organ play the “National Anthem”
and then a little ‘na, na, na, na, hey hey, hey, Goodbye’
Make six bullpen pitchers, carry my coffin
and six ground keepers clear my path
Have the umpires bark me out at every base
In all their holy wrath
Its a beautiful day for a funeral, Hey Ernie lets play two!
Somebody go get Jack Brickhouse to come back,
and conduct just one more interview
Have the Cubbies run right out into the middle of the field,
Have Keith Moreland drop a routine fly
Give everybody two bags of peanuts and a frosty malt
And I’ll be ready to die

Goodman was likely talking about his own dreams here, given that he was fighting leukemia at the time – a disease that would claim his life at a much to young age of 36.

But Goodman was not done with writing about his beloved cubs. In 1984, WGN-TV’s program director Dan Fabian was looking for a new song to open up Cubs radio broadcasts to replace Mitch Miller’s “It’s a Beautiful Day For A Ballgame,” and he turned to Goodman to write a positive song about the Cubs. The result was the now iconic “Go, Cubs, Go.” And after each winning home-field game, the fans sing along with a recording of Goodman.

In honor of the Cubs finally winning their first World Series in 108 years this week, the Chicago cast of the musical Hamilton skipped their usual curtain-call number and instead launched into a rousing version of “Go, Cubs, Go.”

It’s a wonderful, rousing song. But it doesn’t have the distinctive Goodman voice that “A Dying Cub Fan’s Last Request” does.

In a beautiful final twist, Goodman did get the final wish of his song’s protagonist, with his brother David finding a way to scatter Steve’s ashes in the outfield at Wrigley Field:

He found a guy – local singer songwriter Harry Waller — who knew some guys who knew a guy who knew a guy in stadium security who’d let them slip into the Friendly Confines with a portion of Goodman’s remains just before Opening Day of 1988.

I’ve heard argue that winning the World Series now makes the Cubs just another ball club. No longer special with their long-suffering fans. But I have no doubt that the suffering of Cubs fans is not over. As a former pastor of mine used to say: “They wouldn’t be the Cubbies if they didn’t break our hearts.”

Steve’s “Song for David,” a tribute to his younger brother.



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Election News in the News

There’s a lot of strange news about the upcoming election going on.  Here’s a sampling:

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