Live sports are TV’s salvation – but there ain’t no sports…

No sports on TV / Grandkids think I want to watch them play video games.It’s pretty clear that the one thing that draws people age 18-49 to conventional TV these days is live sports. So what happens when there aren’t any live sports anywhere in the world? With all the choices globally, that’s an almost impossible thing to imagine.  There’s the major USA professional leagues in football, basketball, baseball and hockey; endless collegiate sports featuring both women and men; soccer from around the world; Japanese and Korean baseball leagues; there’s even curling out of Canada.

But what if it all those sports mysteriously disappeared, all at once, all across the globe?


Broadcasters got a chance to discover what this would be like on March 11 of 2020 when Rudy Gobert, center for the National Basketball Association’s Utah Jazz, tested positive for the COVID-19 virus and the NBA suspended its season. Assuming that the NBA had to cancel the remainder of its 2020 season and the all important playoffs, it would cost Walt Disney Co.’s ESPN and ABC $481 million and WarnerMedia’s TNT $211.

Soon after, the Tokyo Summer Olympics got postponed until 2021. In addition to affecting thousands of athletes, this was also a big deal to broadcast partner NBC because the Olympics are one of the biggest live-TV events of the year.  NBCUniversal had already sold 90 percent of its commercial time worth $1.25 billion. In addition to making ad revenue for NBCU, the games were also designed to be part of the launch of their ad-supported streaming service Peacock and an opportunity to promote their fall shows. (8e0675) In an era where people watch a wide range of programming, each with relatively small audiences, the Olympics are important because they are part of a very small group of programs that can draw big audiences over an extended period of time.

No sporting event, professional or collegiate, is more important to broadcasters than the NCAA’s annual March Madness collegiate basketball tournament. When the 2020 March Madness got cancelled, the NCAA cut its annual payment to member schools from $600 million to $225 million.  The biggest portion of the NCAA’s annual income comes from the tournament. Yes, ticket sales and marketing partnerships matter, but most of the money comes from a 14-year, $10.8 billion television deal with CBS Sports and Turner Sports.

SportsCenter has been ESPN’s flagship show since 1979, but in the spring of 2020, for the first time there were no live sports. And that’s what show host Scott Van Pelt had to deal with once all the sports were cancelled.  “Well, the analogy that I’ve landed on is that it’s much like being a waiter in a restaurant where there are no chefs and there is not food,” he told CNN. “[I] just don’t know how long we can continue to trot out, ‘Hey, baseball said they might play July…. I mean we basically call people and talk to them. It just turns into kind of this, ‘How are things, how are you, what are you doing?'”  At a deeper level, Van Pelt says the show helps people continue on.  The one thing Van Pelt says he can’t get let go of is missing the NCAA basketball tournament. “That was the one I’ll never get over. For the young men and women, there were these remarkable stories that didn’t get to end.”


The other side of the shutdown is the fact that cable and satellite subscribers are  spending an average of about $20 a month for sports programming, but these viewers likely have not gotten a refund for any of the games they didn’t get to see because they weren’t being played.  But that doesn’t mean that subscribers are happy with that outcome. Subscribers, especially those who got laid off during the pandemic recession, may be dropping their pay-TV packages and going to cheaper bundles of streaming content. “For some people the decision may come down to economics,” said Michael Huyghue, a sports lawyer and professor at Cornell Law School. “If someone loses their job or pay is cut, and they are paying for something they can’t watch, they are more likely to cut to cord.”

While subscribers were still paying for their sports channels during the pandemic shut down, they weren’t watching them. Viewership of sports channels fell sharply from mid-March to mid-April 2020, compared to a similar period the year before.  The Wall Street Journal found that ESPN had a 54 percent drop and the NBC Sports Network had a 58 percent drop.

The networks would have had to have either lowered the cost advertisers paid for their spots during this downturn or else give them “make good” spots later on. But the networks still get their subscription money from every cable/satellite subscriber whether viewers ever actually watch the channel.

So what did the sports networks program during the sports shutdown? In addition to running “classic” games (i.e. rerunning previously aired old games), they also showed eSports events such as a basketball tournament with real-life NBA players at the video game controls or virtual NASCAR races, a H-O-R-S-E playground free-throw tournament with NBA stars playing from their homes, as well as sports related programming such as the National Football League’s player draft and a multi-part documentary on the Chicago Bulls of the Michael Jordan era.

Given that most of sports revenue comes from television money, sports like baseball, basketball and football could potentially play without fans present, but to athletes, that just didn’t feel right. NBA star LaBron James said in a podcast, “I just don’t know how we can imagine a sporting even without fans. There’s no excitement. There’s no crying. There’s no joy.” (8e0576)

Dallas Mavericks NBA-team owner (and reality-TV star) Mark Cuban said that once athletes start playing again there will be an enormous, pent-up demand for sports. “People will literally be doing anything to watch us,” he told the Wall Street Journal. “They won’t even necessarily be basketball fans. They will just be starving for new content, and we will be there to feed them.” (8e0576)


And finally…

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Movies and Theaters in the Age of COVID19

World Theatre MarqueeBack in March of 2020, it was becoming clear to the movie industry that it was going to be a significant amount of time before audiences were going to be gathering in large numbers anywhere, let alone close-packed movie theaters. The final Daniel Craig James Bond movie No Time to Die was the first of the blockbusters to be delayed because of COVID-19, with the MGM announcing the postponement March 4, 2020. At the time, the biggest concern was about the closure of theaters in the international marketplace, given that the United States was still largely open. Among the other early movies announcing their deals were Disney’s live-action version of its animated hit Mulan, Marvel’s Black Widow, and DC’s Wonder Woman 1984.

Pixar’s animated feature Onward was already in release when the novel coronavirus started driving down audience sizes and closing theaters. For Onward, Pixar’s parent company Disney decided to offer it earlier than expected to the home market, and much earlier than expected to Disney’s new streaming service Disney+:

“While we’re looking forward to audiences enjoying our films on the big screen again soon, given the circumstances, we are pleased to release this fun, adventurous film to digital platforms early for audiences to enjoy from the comfort of their homes,” said director Dan Scanlon and producer Kori Rae in a statement.

While Disney managed to maintain a good relationship with theaters throughout this difficult time and taking some of their films to early digital release, not all the studios managed to do things quite so smoothly. Rather than postponing its kids film Trolls World Tour, Universal decided to send the animated sequel straight to premium video on demand (PVOD). Now this was not a particularly surprising move for a kid’s film that was not going to be released on schedule.

(NOTE: Since I finished this draft late last night, Hamilton creator Lin-Manuel Miranda has announced that Disney+ will start streaming the movie version of the original cast video recording of Hamilton on July 3, 2020, more than a year before it was scheduled to be released in theaters. While your author is over the moon about this, I’m still hoping to get a chance to see the original cast on the big screen. My Dear Wife and I were privileged to get to see a Hamilton touring company in Omaha last year. The film of Miranda’s first hit show, In The Heights, was scheduled to be released this summer but has been postponed, reportedly till the summer of 2021.)

Universal already had a high-end marketing campaign going for Trolls World Tour at the time, so they went ahead with making the film available for rental at $19.99 through various digital platforms. In three weeks, Trolls World Tour brought in $100 million in rentals, more than the original Trolls made during its five-month theatrical release. Now, this was not a typical digital release. It had a massive marketing campaign behind it, it had a higher quality production than most straight-to-video animated films have, and there was a pent-up demand for something, anything, to entertain kids with while everyone is confined to home.

But nevertheless it was a revelation to the studio that a high-end digital release could be as or more important than a theatrical release, even after the pandemic is over. “The results for Trolls World Tour have exceeded our expectations and demonstrated the viability of PVOD,” Jeff Shell, head of NBCUniversal, told the Wall Street Journal. “As soon as theaters reopen, we expect to release movies on both formats.”

That quote is what set off the AMC theater chain – America’s largest. Under normal circumstances, a movie will play in theaters at least two months before going into some level of home release.  But when Shell said that after the pandemic Universal expected to do some home releases simultaneously with theatrical releases, well… that was too much. In an open letter to the industry, AMC Chief Executive Adam Aron said his theaters would refuse to book any of the studio’s movies under a policy of dual release.

While movie producers had streaming options to help rescue their businesses, times have been harder for the movie theaters themselves. Theaters have received some rescue funding from the federal government, and independent art-house theaters have gotten some small grants from foundations. But for the most part, the COVID-19 shutdown meant a complete stop of revenue. Even when the theaters do reopen (something that has yet to happen as this was being written) the plan was that they would have to bring in much smaller crowds to allow for social distancing. John Fithian, of the National Association of Theatre Owners, said the speed at which they can reopen depends on how successful the country and world are at “tamping down the virus.” If theaters are only able to open in a limited number of areas, studios will be reluctant to release their big “tentpole” movies and may stick with re-releasing older titles.

The shutdown has also hit independent community theaters quite hard, like Kearney, Nebraska’s, The World Theatre. Bryce Jensen, the theater’s executive directors and only full-time paid employee, said, “It’s hit us pretty hard because we were just finishing up a fund-raising campaign to help renovate the theater, But all of our fundraising has been done over the last year to get this renovation done.”

The World has gotten some of the COVID-19 government relief funds, and it also got a small grant from the Criterion Collection’s foundation. “We’re a non-profit,” Jensen said. “All the folks there are volunteers. We explore motion pictures and get people talking about them. We show one movie per weekend at the same prices since we opened. We’d love to always keep it at $5.”

As of this writing, The World was exploring the possibility of setting up a pop-up drive-in theater that would project against an outer wall of a local event center, something the theater had been contemplating for a couple of years

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Putting popularity of government action on COVID19 in context by comix XKCD

Comic 2305 from XKCD - People agree on COVID19

XKCD is a comic about range of geeky issues, but it is often about how to present data in interesting and honest ways. This one does a great job of putting the popularity of government efforts to protect us from the novel coronavirus in context.

Here’s a link to previous mentions of XKCD on the blog.

 

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Lin-Manuel Miranda talks with AP History Students on Primary Sources and Writing Hamilton

Our time of COVID19 isolation has led to a wide range of unusual media content out there.   But for me, nothing has been as cool as all of the Hamilton content that has sprung up in the last month.

As I wrote about earlierthe Broadway Cares charity put together a crowd-sourced version of the song “Non-Stop” from Hamilton featuring dozens of separate performances from singers of all ages as a charity fundraiser.

Another heart warmer, was when actor John Krasinski (The Office, Prime’s Jack Ryan, A Quiet Place) helped out a young girl who had to miss going to see Hamilton locally because  of the tour being put on hold. He starts on his Some Good News show by telling the girl that he will fly her and her mom to New York to see Hamilton once Broadway reopens, but then Lin-Manuel Miranda joins in with the original cast of Hamilton to do the opening number from the show for the girl.  Her reaction is priceless.


Now I like a heart-warming tear-jerker as much as the next guy, I have to say that my favorite COVID19 LMM content has to be Miranda’s streaming talk on how to apply the use of primary sources to analyzing historical issues for high school AP history students .

Or, in other words, how he went from writing a high school term paper on Alexander Hamilton to writing the definitive musical of the 21st century.

Miranda’s talk was part of the College Board’s AP Master Class Series. And once you get past the rather star-struck history teachers hosting the program (Confession time: How can anybody not fanboi/gurl out on LMM?) it turns out that LMM would have made a great high school teacher. (In fact, while he was writing his first hit musical In The Heights, he was a substitute teacher and an AP exam proctor.)

In addition to just the cool factor of hearing LMM talk about writing Hamilton, the master class is also a great discussion of the strengths and limitations of historical research.  Some of the best 45 minutes of video you’ll find today:

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Great work from my commentary and blogging students

It’s been a rough time during the second part of this semester for my blogging and commentary students, with all of their classes going online/remote.  Some of them are graduating into an uncertain world; all of them are dealing with complicated times.  

The Association for Education in Journalism and Mass Communication had a Twitter checkin this morning, And I took some time to share my students’ work – some of it intensely personal, all of it thoughtful and full of heart.

Here are the stories I shared.  Take some time to read – There’s some great work here.

 

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“If we break quarantine, we could all die.” Alien, 1979

My favorite bit of social distancing art is this tattoo design done by artist Genevieve Kent-Bethley out of Kitchener, Ontario. It’s been circulated heavily on Twitter without credit to the artist.

Listen to me. If we break quarantine, we could all die.

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Remembering John Prine – “Plant a little garden, eat a lot of peaches”

And I always will remember these words my daddy said
He said, “Buddy, when you’re dead, you’re a dead pecker-head”
I hope to prove him wrong… that is, when I get to heaven
–John Prine, When I Get to Heaven

John Prine, from a 1997 performance on West Virginia Public Radio’s Mountain Stage.

I don’t really have time to write anything right now that isn’t moving the eighth edition of my textbook forward (Yes, my editors, I’m just taking a few minutes for this…) But I can’t let the death of singer/songwriter John Prine from COVID-19 pass without some sort of remembrance.

I saw John in concert once back when I was an undergraduate – likely in 1982.  He played the show with his great friend Steve Goodman. Both performed wonderfully funny songs along with songs that can make me weep even after listening to them for decades. (We lost Steve to a long battle with cancer back in 1984 – gone way too soon.)

(A couple of years ago I wrote a blog post about their songs about growing old – Steve Goodman singing “The Dutchman” and John Prine singing his song “Hello in There.” These are two songs I don’t think I can bear to right now, but go check them out if you don’t know them.  I’ll wait.)

Anyway, I’m not going to even try to sum up my feelings right now.  But here are several tributes to Prine, many of which include some great playlists. And then I’ll include a few of my own favorites.

There’s a lot of sentimentality going around right now, and I’m as guilty of it as anyone. But I put up the least sentimental quote from “When I Get to Heaven” from Prine’s final album because the thing that I always think about when it comes to John Prine is that there was always humor and joy to be found in just about everything.


Memories from the Mountain Stage live music radio show:

NPR’s Annie Zaleski has a great tribute and playlist for you:


And a fantastic playlist from Rolling Stone:



And here are just a few of my favorite John Prine songs.  Wouldn’t presume to put together a list of best ones, just a few that I know of a lot of the words to:

Your Flag Decal Won’t Get You Into Heaven Anymore

A great anti-war song that brings together Prine’s trademark combination of humor and seriousness


Dear Abby

Most of my readers here are likely too young to remember the newspaper advice columnist Dear Abby. This wonderfully silly song imagines what advice Dear Abby might have for a whole range of letter writers.


In Spite of Ourselves – With Iris DeMent

Probably my favorite John Prine song, and likely the best song about marriage ever written. (And I love Iris DeMent, who sings this great duet with John.)


John Prine and Steve Goodman singing “Souvenirs” together


And finally, a recent NPR Music Tiny Desk Concert from John:


As you go about your day, trying to stay away from the COVID-19 that claimed John Prine, you might think about the only-somewhat tongue-in-cheek advice he gave to find happiness in his song Spanish Pipedream:

Blow up your t.v. throw away your paper
Go to the country, build you a home
Plant a little garden, eat a lot of peaches
Try and find Jesus on your own
–John Prine – Spanish Pipedream

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COVID19 Patrol: How the world changed in 2020

COVID-19

An image of the COVID-19 virus from the World Health Organization

It’s difficult now to think back to a time when most of us had not heard of words like coronavirus, COVID-19, pandemic, community spread, social distancing and self-quarantining. A time before all classes were abruptly moved online. A time before people started dying by the thousands from a newly emergent respiratory virus that forced people to stay isolated at home for weeks at a time and essentially shut down the world’s economy. A time where we could go where we wanted, when we wanted without worry. A time when the story of the virus didn’t dominate our media for months at a time.

The New York Times ran its first story on mentioning the coronavirus on January 8, 2020, announcing that researchers in China had identified a new virus that had infected “dozens of people across Asia.”  (There actually was a mention of a “a pneumonia-like illness, the cause of which is unclear” in the Times on January 6, but it was not yet labeled as a coronavirus.) On January 11, 2020, Chinese state media made the first reports about the new illness, “including seven severe cases and one dead case.” (Note that the English translation here is from Google Translate.) Less than two weeks after the Times story, the United States had its first documented case of the virus that would turn out to be one of the most contagious and deadly viruses since the massive flu epidemic of 1918.

As the disease moved from something to be concerned about to being considered a likely pandemic, events that we would normally consume through our media started to get canceled.

On Wednesday, March 11th, 2020, Italian NBA star Danilo Gallinari was getting ready to start the evening’s game between the Oklahoma Thunder and the Utah Jazz. But the game never started, given that Utah All-Star Rudy Robert had just disclosed that he had tested positive for the novel coronavirus that causes COVID-19. The cancellation wasn’t a huge surprise to Gallinari, given the enormous toll that the disease had taken on his home country of Italy.  This cancellation would be the harbinger of the cancelation of most of the rest of the season. (And as of this writing, it appears likely that the whole season will be canceled.)

This was followed in fairly short order with the cancellation of the NCAA basketball tournament, popularly known as March Madness, for the first time since it started in 1939. The College World Series also had to cancel, in large part because none of the teams that might be in contention were able to play their regular season games.

Not long after this, essentially all competitive sports in the United States, from professional basketball to youth league soccer have been shut down for the foreseeable future.  And all of these sports cancelations have had an enormous effect on the television industry. The NCAA basketball tournament alone is worth an estimated $800 million a year to the television networks. ESPN was making plans to have a H-O-R-S-E free throw contest for NBA players competing individually from their home gyms, given that globally there were no sports to broadcast.

The pandemic has also had a massive effect on Hollywood. Summer blockbusters like the James Bond flick No Time to Die or the Marvel Cinematic Universe movie Black Widow have had their summer 2020 releases delayed, while Pixar’s Onward went from being released in theaters on March 6th to having a digital release on March 20th and made it onto Disney’s new streaming service on April 3rd. That’s less than a month from initial release to showing up on a streaming service. Of course, most of the movie theater industry had shut down by March 17.

New York’s Broadway theaters went dark starting March 12, closing down performances of hits like Hamilton, Oklahoma, and Frozen. But the stars of these shows have turned to streaming and social media to keep the buzz going on. For example, the Broadway Cares charity put together a crowd-sourced version of the song “Non-Stop” from Hamilton. The show’s official Twitter account sent out a request in late March of 2020 after Broadway had been closed for several weeks requesting fans to submit videos of themselves performing all or part of the song. An editor then assembled the clips into a video featuring dozens of separate performances from singers of all ages as a charity fundraiser.

As this is being written in April of 2020, almost all college classes in the United States are being taught using distance-education technology as students were sent home from their schools.  Many students were actually home for spring break when they were told not to come back. This created a bit of a crisis for those students who had left their books back on campus, not having planned on studying during vacation. In response, Sage and other textbook publishers made ebook copies of their materials available for free for the rest of the semester.

The COVID-19 epidemic that started in the winter of 2020 will have a long lasting impact with many thousands of deaths, people forced to stay home and away from public places, and massive changes to our media industry.

 

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COVID19 Patrol: A look at social and legacy media

Memes and social media have been going nuts in the age of work-remotely/study-online/shelter-in-place. Here are a couple that have stood out to me, along with a couple of excellent Washington Post stories.


You all know that I am a sucker for the Distracted Boyfriend meme; here’s a great one for COVID19 economics. No idea where it originated

Distracted Boyfriend, left-to-right - Free $1200 check; Stock market; Record unemployment

Looking for a fun current events exercise as all your students are studying remotely? Have them write their own Distracted Boyfriend meme based on what’s happening in the news.


Hamilton writer/star Lin-Manuel Miranda has been tweeting out lots of fun content over the last week or two to help raise money for Broadway Cares at a time when all the theaters are dark. One of my favorites has been his sharing of the #HamAtHome crowdsourced production of the song Non-stop from Hamilton, which I believe was assembled by the folks at Broadway Cares – but regardless, take a look. And the money from the fundraising goes to help Equity actors affected by the COVID19 pandemic.


The Washington Post has had great coverage of the COVID19 pandemic, much or it free of the usual paywall.  Here are a couple that have stood out to me:

 

 

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Teaching Mass Communication in the Time of COVID-19

A doctor's plague mask.

A doctor’s plague mask from the time of the plague during Luther’s youth. Unfortunately for doctors, this mask was ineffective as plague was spread by fleas and not through the air.

It’s been  a difficult time for all of us the last few weeks with the COVID-19 pandemic, the need for social distancing, self-isolation, self-quarantine, working remotely, dealing with shortages of medical equipment and hospital beds…

For faculty and students, it likely means that classes that weren’t planned on being taught online are being rapidly moved online.

One of my first responses two weeks ago was to put together an online curriculum package for the class, based on my Sage text Mass Communication: Living in a Media World. (This package has now been available to faculty who need it for about a week.)

While the materials are keyed to the organization and material from my book, I’ll share the packet with anyone teaching at the college-level whether you use my book or not. I’ve been teaching online for at least 20 years and understand how daunting making a sudden shift like this can be.

You can DM me on Twitter (@ralphehanson) if you are interested. Include an e-mail, where you teach, and which book you currently use. Or you can e-mail me at rhanson40 at gmail dot com.


And here are some interesting current issues for discussion in class:

Should broadcast/streaming media carry the president’s press conferences live when he makes multiple false statements in them? (I’m not talking about whether you like/dislike the president or his policies, just the fact that he often states things as fact that are not.) Jay Rosen is one of the leading American press critics.

Why do we watch horror movies? And what do we gain from watching them? Do they open us up to talking about tabu topics?

And finally – What if you had been isolated from the news for the last few weeks and suddenly re-emerged into our world.  How would you make sense of this news? And how have entertainment programs handled it?

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