“Will We Be Extremists for Hate or Love?”

" One of the greatest honors of my life was being invited to speak at the Martin Luther King, Jr. candlelight vigil several years ago at the UNK student union, along with KevinThe question is not whether we will be extremists, but what kind of extremists we will be. Will we be extremists for hate or for love? Will we be extremists for the preservation of injustice or for the extension of justice?... The nation and the world are in dire need of creative extremists." Dr. Martin Luther King, Jr National Museum of African American History & Culture

One of the greatest honors of my life was being invited to speak at the Martin Luther King, Jr. candlelight vigil several years ago at the UNK student union, along with Kevin Chaney, who was then UNK’s women’s basketball coach. 

On today of all days we must reject hate and embrace love.

Here’s what I had to say about Dr. King when I spoke:

Visalli-11-10-13When we think of public relations, we think of a professional in a suit trying to persuade us about something related to a large corporation. But not all PR is practiced by big business.

Civil rights leader The Rev. Dr. Martin Luther King Jr. had a brilliant understanding of public relations during the campaign to desegregate Birmingham, Alabama in 1963.

The goal of the campaign was to have non-violent demonstrations and resistance to force segregated businesses to open up to African Americans. What King, and the members of the Southern Christian Leadership Conference, wanted to do was stage a highly visible demonstration that would not only force change in Birmingham, but also grab the attention of the entire American public.

King and his colleagues picked Birmingham because it was one of he most segregated cities in America and because it had Eugene “Bull” Conner as police commissioner.

Conner was a racist who could be counted on to attack the peaceful marchers. Birmingham was a city where black protestors were thrown in jail, and the racists were bombing homes and churches. There was a black neighborhood that had so many bombings it came to be known as Dynamite Hill.

Dr. King and his colleagues had planned demonstrations and boycotts in Birmingham, but held off with them in order to let the political system and negotiations work. But time passed, and nothing changed. Signs were still up at the lunch counters and water fountains, and protestors were still headed to jail.

King and the rest of the SCLC needed to get attention for the plight of African Americans in cities like Birmingham.

They needed to do more than fight back against the racism of segregation. They needed to get Americans of good will in all the churches and synagogues to hear their voices.

Starting in April of 1963, predominantly African American volunteers would march in the streets, hold sit-ins at segregated lunch counters, and boycott local businesses in Birmingham. As the protests started, so did the arrests.

On Good Friday, King and Abernathy joined in the marching so that they would be arrested. While King was in jail, he was given a copy of the Birmingham News, in which there was an article where white Alabama clergy urged the SCLC to stop the demonstrations and boycotts and allow the courts to solve the problem of segregation.

But King was tired of waiting, and so he wrote what would become one of the great statements of the civil rights cause. One that spoke to people who were fundamentally their friends, not their enemies. This came to be known as the “Letter from a Birmingham Jail.

Writing the letter was not easy. Dr. King wrote it in the margins of the newspaper. He wrote it on scraps of note paper. He wrote it on panels of toilet paper. (Think about what the toilet paper was like if Dr. King was able to write on it!)

The letter spoke to the moderates who were urging restraint. To them, he wrote:

“My Dear Fellow Clergymen:

While confined here in the Birmingham city jail, I came across your recent statement calling my present activities “unwise and untimely.” Seldom do I pause to answer criticism of my work and ideas…. But since I feel that you are men of genuine good will and that your criticisms are sincerely set forth, I want to try to answer your statement in what I hope will be patient and reasonable terms.”

He went on the acknowledge that perhaps he was an extremist, but that he was an extremist for love, not for hate:

“But though I was initially disappointed at being categorized as an extremist, as I continued to think about the matter I gradually gained a measure of satisfaction from the label.

Was not Jesus an extremist for love: “Love your enemies, bless them that curse you, do good to them that hate you, and pray for them which despitefully use you, and persecute you.”

Was not Amos an extremist for justice: “Let justice roll down like waters and righteousness like an ever flowing stream.” …

Was not Martin Luther an extremist: “Here I stand; I cannot do otherwise, so help me God.” …

And Abraham Lincoln: “This nation cannot survive half slave and half free.”

And Thomas Jefferson: “We hold these truths to be self evident, that all men are created equal . . .”

So the question is not whether we will be extremists, but what kind of extremists we will be. Will we be extremists for hate or for love?”

King’s jailhouse writings were smuggled out and published as a brochure. His eloquent words were given added force for being written in jail. As he says toward the end of his letter, it is very different to send a message from jail than from a hotel room:

“Never before have I written so long a letter. I’m afraid it is much too long to take your precious time. I can assure you that it would have been much shorter if I had been writing from a comfortable desk, but what else can one do when he is alone in a narrow jail cell, other than write long letters, think long thoughts and pray long prayers?”

Once King was released from jail eight days later, he and his followers raised the stakes. No longer would adults be marching and being arrested, children would become the vanguard. And as the children marched, photographers and reporters from around the world would document these young people being attacked by dogs, battered by water from fire hoses, and filling up the Birmingham jails.

King faced criticism for allowing the young people to face the dangers of marching in Birmingham. But he responded by criticizing the white press, asking the reporters where they had been “during the centuries when our segregated social system had been misusing and abusing Negro children.”

Although there was rioting in Birmingham, and King’s brother’s house was bombed, the campaign was ultimately successful. Business owners took down the signs that said “WHITE” and “COLORED” from the drinking fountains and bathrooms, and anyone was allowed to eat at the lunch counters. The successful protest in Birmingham set the stage for the March on Washington that would take place in August of 1963, where King would give his famous “I have a dream” speech.

We are now more than sixtyy years from King’s letter from Birmingham Jail. This letter was not one of his “feel good” speeches. It doesn’t raise the spirit the way his “I have a dream” speech did.

But it did give us a message that still matters more than ever today:

 “I hope this letter finds you strong in the faith. I also hope that circumstances will soon make it possible for me to meet each of you, not as an integrationist or a civil-rights leader but as a fellow clergyman and a Christian brother. Let us all hope that the dark clouds of racial prejudice will soon pass away and the deep fog of misunderstanding will be lifted from our fear drenched communities, and in some not too distant tomorrow the radiant stars of love and brotherhood will shine over our great nation with all their scintillating beauty.”

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Ralph’s Annual Favorite Movies – 2025 Edition

UPDATE 1/30/26: Please note that I have not seen a number of the big 2025 movies yet which explains some otherwise inexplicable omissions. These include:

  • Marty Supreme – Which I saw last week and loved. It will be somewhere on my 2026 list.
  • Sinners, which I will be seeing in March as part of the Best Picture nominee round-up at my beloved World Theatre.
  • You’ve Got Gold: A Celebration of John Prine, which will be showing at The World in February.

Over the last year, I and/or my Dear Wife have watched slightly more than 120 movies: some that were new releases (i.e Avatar: Fire and Ash), some that were 2024 movies getting viewed a little late (2024’s Conclave), and even one that was a vintage silent (1925’s Lady Windermere’s Fan).

There were also many, many rewatchings of old favorites, including Emilio Estavez’s The Way; Lin-Manuel Miranda’s first big musical, In The Heights; and my favorite Hitchcock comedy (were there any others?), The Trouble With Harry.

Roughly half of our viewings were of new-to-us films and half were reruns of old favorites.

This list is my 10 favorite movies I saw for the first time in 2025. This is in no way a 10-best list, particularly since half of them were originally released before this year.  They are just the 10 movies I enjoyed the most that I hadn’t seen before. They are presented in the order in which I watched them, followed by a list of honorable mentions.

What movies would you put on your list of favorites?


Ralph’s Top Ten Favorite Movies First Seen in 2025

In order viewed.

  • Small Things Like These (2024) – When Cillian Murphy won the Oscar for Best Actor in Oppenheimer in 2023, he used some of his new Hollywood cred to produce and star in a movie adaptation of Claire Keegan’s 2021 novella about the exploitation of unwed mothers in Ireland over several decades in the so-callled Magdalene laundries. Murphy plays a hard-working coal merchant whose clients  include the convent where his daughters get their education. During his rounds, he discovers the mistreatment of a pregnant young woman, and he has to decide what he can do to help her. No, not the feel-good movie of the year, but it’s an example of how small, interesting movies can still get made in this era of corporate cinema. The movie was released by a production company run by Matt Damon (Murphy’s co-star in Oppenheimer) and Ben Affleck. Viewed at The World Theatre, our local non-profit movie theater where I work as a volunteer.Trailer for Small Things Like These

  • Conclave (2024) – This multi-Oscar nominated film won Best Adapted Screenplay and was based on the 2016 novel by Richard Harris. This was by far my favorite movie I saw in 2025, viewing it at both The World Theatre and multiple times at home. It’s a thriller about the election of a new Roman Catholic pope following the death of a Francis-like pontiff. It has a stellar cast, starring Ralph Fiennes & Isabella Rossellini  (both nominated for Oscars), Stanley Tucci, John Lithgow, Lucian Msamati and newcomer Carlos Diehz. Among the many reasons I love this film is because it is in many ways a modern take on the subject matter of 1968’s The Shoes of the Fisherman, starring Anthony Quinn and Sir Lawrence Olivier about the unexpected election of a Russian pope at the height of the Cold War. (And yes, this fall I watched the two back-to-back as a papal election double feature.) While both of these films recognize flaws in the church, they are both respectful of what the church tries to be. But neither should be seen as documentaries on how popes are elected.Trailer for Conclave

  • A Complete Unknown (2024) -In this music biopic Chalamet plays a young Bob Dylan breaking into the folk music scene and then trying to find a place in the world of rock ‘n’ roll. Chalamet did his own singing in the movie, and he does a credible job without lapsing into parody of the gravelly voiced singer/songwriter. Along with Chalamet, the film includes excellent portrayals of real people by Edward Norton as singer Pete Seeger, Elle Fanning as a fictionalized version of Dylan’s girlfriend Suze Rotolo, Moncia Barbaro as Joan Baez, Boyd Holbrook as Johnny Cash and Scoot McNairy as a very ill Woody Guthrie. It was directed by James Mangold, who also did the Cash biopic Walk The Line, along with several X-Men movies (including the brilliant Logan), the racing movie Ford v. Ferrari, and the big-budget Indiana Jones and the Dial of Destiny. (Viewed at The World Theatre.) Baez and Dylan singing It Ain’t Me Babe from A Complete Unknown.

  • Poster for movie Lady Windermere's Fan, 1925Lady Windermere’s Fan (1925) – Back in 2023, I was fortunate enough to see three Buster Keaton short films with live piano accompaniment by Rodney Sauer at The World Theatre. In February of 2025, I got to see director Ernst Lubitsch’s silent film adaptation of Oscar Wilde’s play Lady Windermere’s Fan with Sauer heading up a multi-part orchestra to accompany the film at The World. Silent films can be a lot of fun, but they are at their best when they have live music with them. If you get the chance to see a classic silent with live music, grab the opportunity.Rodney Sauer discusses scoring and performing live music with silent films.

  • The Penguin Lessons (2024) This is a thoughtful and sweet movie that is perhaps a bit too timely right now. Loosely based on a memoir by Tom Michell about his time teaching at a boys’ boarding school in Argentina in the 1970s during roughly the time of the Dirty War dictatorship. Steven Coogan plays Michell, who inadvertently rescues and adopts a penguin who’s been hurt by an oil spill. The penguin then ends up being a troublesome mascot for Michell’s classes. In an ironic twist, Jonathan Pryce plays the school’s headmaster. (Ironic because Pryce’s biggest claim to fame may be his portrayal of Argentinian strong man Juan Peron in the original Broadway production of the Weber/Rice musical Evita.) A solid entry in the “troubled teacher saves students at an elite boarding school” genre. You can watch it streaming on Netflix. (Trailer for The Penguin Lessons)

  • F1 (2025)F1 tells the fictional story of former race great Sonny Hayes (Pitt) being recruited by old friend and struggling F1 team owner Ruben Cervantes (Javier Bardem) to try to bring the team a much needed victory. Hayes teams up with up-and-comer Joshua Pearce (Damson Idris) who has a lot of skill but no idea how to really race. Although it is clearly a testosterone-heavy film, it also has compelling female performances from Pearce’s mother, Bernadette (Sarah Niles, best known for stage and TV roles); and team technical director Kate McKenna (Kerry Condon, who brings her unabashed Irish regional accent that shone in the eminently weird and wonderful movie The Banshees of Inisherin). Back in July, I wrote a long blog post about F1 and several of my other favorite racing movies you should check out if this kind of thing appeals to you. Currently streaming on Apple TV. (Trailer for F1)

  • K-Pop Demon Hunters (2025) If you have young girls in your household, you have watched, and watched, and watched, and… the Netflix hit animated film about the K-Pop band Huntress who sideline as demon hunters… (But the title gives that all away. Produced by Sony Animation, the movie has already won the Golden Globe for both best animated film and best movie song (for Golden; the lyric video follows so you can sing along with it).  It’s great to see someone other than Disney turning out interesting and original animated films. This is from the same studio that brought us Mitchells vs. the Machines and the Spider-Verse movies. It’s had a brief theatrical run to make it eligible for the Oscars, but I’m still hoping it will get more time on the big screen.  Lyric video for song “Golden” from K-Pop Demon Hunters)

  • Frankenstein (2025) Director Guillermo del Toro’s take on Mary Shelley’s classic story of monstrous life and death (death and life?) has flaws, big flaws even, but it is a visually stunning and, at least to me, compelling take on the question of what makes us human, what makes us alive. Starring Oscar Isaac as Victor Frankenstein, Jacob Elordi as The Creature, Mia Goth as both Lady Elizabeth Harlander and Victor’s late mother, and Christoph Waltz and Victor’s source of funds. If you like the arctic portion of the story, I would highly recommend checking out the AMC series based on Dan Simmon’s novel The Terror. (Frankenstein can be streamed on Netflix.) (Trailer for Frankenstein)

  • Avatar: Fire and Ash (2025) – What is there to say about the incredible excess that is James Cameron’s Avatar series of films. These all take place in the computer animated world of Pandora with motion-captured performances by actors working in a giant room of abstract props known as The Volume. This third outing features a fantastic indigenous villain played by Oona Chaplin, who completely dominates the movie every moment she is on the screen. (She’s also Charlie Chaplain’s granddaughter.) It may be too late by the time you read this, but if at all possible see it in 3D on the best screen you can find. I was fortunate enough to see it on an Ultra DLX screen, which is the next best thing to an IMAX. One of the fascinating things that motion capture allows is having Sigourney Weaver, who is now 76 years old, play her teenaged daughter (more or less) in a convincing way. Don’t pay too much attention to the plot. All  three of these films they have huge problems. Just enjoy being able to visit the world of Pandora. (Trailer for Avatar: Fire and Ash)

Honorable Mentions:

Here are the rest of the movies I first saw in 2025 that made a big impression on me.

  • We Live in Time (2024) – Florence Pugh and Andrew Garfield star in this weepy story of a chef and her partner trying to make sense out of how they should spend the limited amount of timer they have as Pugh’s character deals with terminal cancer. But despite its downbeat theme, it’s really all about life.
  • Multiple Wes Anderson Films (2009-2025) – I saw a number of auteur Wes Anderson’s films for the first time last year, and loved all of them. These include three of  his 2023 quartet of short films based on the short stories of Roald Dahl – The Swan, The Rat Man, & Poison; his stop-action animated The Fantastic Mr. Fox from 2009; and his 2025 feature film,  The Phoenician Scheme.
  • Music by John Williams (2024) – A career retrospective of iconic film composer John Williams from his start writing the theme song for Gilligan’s Island to his long run of George Lucas and Steven Spielberg films. On Disney+
  • The Last Showgirl (2024) – What happens when movie and TV sex symbols get older? Hopefully they get to make thoughtful films like The Last Showgirl staring Pamela Anderson and co-starring Jamie Lee Curtis. A reminder of how good small films can be (such as this one, Small Things Like These and We Live in Time).
  • Paddington in Peru (2024) – Over the last several years I’ve celebrated my birthday by getting to pick a family movie at our local non-profit The World Theatre. I also serve cake to everyone attending the evening of my party. For 2025 we showed Paddington in Peru, the third in the popular lost-bear-in-Britain series. While it did not live up to the high standard of Paddington 2, a legendary sequel, it was my favorite family movie of the year.
  • Death of a Unicorn (2025) – So I got to see a strange, violent, bloody, incredibly funny movie that came out last spring called Death of a Unicorn starring Paul Rudd, Jenna Ortega, Téa Leoni, and Richard E. Grant. The movie is very loosely based on the story told by a collection of seven tapestries known as “The Hunt for the Unicorn” that hang in The Cloisters annex of the New York Metropolitan Museum of Art. I wrote a whole post on these tapestries and movie  when it came out that you can read here.
  • Materialists (2025) – One of the seemingly dozens of movie starring or co-starring Pedro Pascal that have come out in the last couple of years. It was directed by Celine Song (Past Lives) and also stars Dakota Johnson and Chris Evans. It’s a small film that tells the story of a modern matchmaker, her actor one-time boyfriend, and a charming millionaire. The story is pretty simple, but the characters are fascinating.
  • Barton Fink (1991) – I’m a big fan of the movie podcast Blank Check, and it spent the last half of 2025 taking a long look at the films of the Coen Bros. Because of this, I rewatched a number of Coen movies and watched a few for the first time. One blind spot for me had been their golden-age-of-Hollywood black comedy Barton Fink, starring John  Turturro and John Goodman. Probably not for everyone, but definitely watch if you love old movies (i.e. movies from the 1930s and 40s).
  • The Birds (1963) – A classic Hitchcock offering that I had somehow missed watching before last year. The effects are dated, but it’s still incredibly creepy. And elements of it have found their way into the second season of the Addams Family series Wednesday.
  • One Battle After Another (2025) – Another black comedy, this one from Paul Thomas Anderson. Starring Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, and Teyana Taylor, I won’t try to explain the plot beyond that it deals with an aging revolutionary dealing with modern white supremacist culture. It’s billed as a likely multi-Oscar nominee.
  • And finally, one last movie from the very end of the year: A Carol for Another Christmas (1964) – Dated, heavy handed, and fascinating. That’s Rod Serling’s A Carol for Another Christmas – a call for world peace and cooperation in the atomic age of the early 1960s. I wrote more about it in my annual holiday movie post back in December.
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Taking a Look at a Stranger Christmas Carol

Cover of A Christmas CarolThis time of year my Dear Wife and I do our annual read aloud of Dicken’s A Christmas Carol, and we usually watch one or two movie versions of it as well.

Some of the takes on it we’ve seen are pretty conventional, such as the 1938 edition starring Reginald Owen as Scrooge along with Gene and Kathleen Lockhart as the Cratchits. A standard, old-school B&W production of it.

We’ve also enjoyed the 1999 television movie starring Sir Patrick Stewart as Scrooge. While Stewart is famous for his one-man stage version of the show, this production has a full cast.

Moving into the slightly stranger realm you will find The Muppet Christmas Carol starring Michael Caine as Scrooge (playing it absolutely straight), Gonzo as narrator Charles Dickens, and the rest of the Muppet crew as the remainder of the characters. A surprisingly good and true-to-the-book version with a number of  well-done Paul Williams songs.

For a stranger-yet revisionist version, as I’ve mentioned in the past, I’m a partisan for Bill Murray’s mean-spirited Scrooged. Murray plays a TV executive producing a live version of A Christmas Carol with way too many 80s movie tropes included in its promotional materials. Meanwhile, his late business partner, played by John Forsythe, comes back to haunt him, setting up the story of the familiar ghosts. Only this time they are a crazed taxi driver played by musician David Johansen/Buster Poindexter and a nasty fairy with a wicked left hook played by Carol Kane. Alfre Woodard plays a gender-swapped Bob Cratchit with a mute son who hasn’t spoke since his father died. Not for everyone, but one of my favorites.

But this year Dear Wife and I watched the oddest of all versions ever made, A Carol for Another Christmas written by The Twilight Zone’s  Rod Serling as a call for world peace and cooperation in the atomic age of the early 1960s. A part of a series of TV films promoting the United Nation’s mission, it aired only once on ABC on Dec. 28, 1964. Since then, it went unseen until Turner Classic Movies pulled it out of the vault. It can also be viewed on YouTube.

You can watch the complete film here.

For a telefilm that has largely disappeared, it has an amazing pedigree. Written by Serling, it was directed by Joseph L. Mankiewicz (All About Eve, A Letter to Three Wives, and – infamously – Cleopatra), and it stars:

  • Sterling Hayden (star of endless westerns and noirs, as well as acting with Peter Sellers in Strangelove) as isolationist industrialist Daniel Grudge – aka Ebeneezer Scrooge;
  • Actor/singer Steve Lawrence in a powerful performance as the Ghost of Christmas Past taking Grudge through the stories of the endless soldiers and sailors who’ve died in past wars;
  • Pat Hingle as the Ghost of Christmas Present (best known for playing Commissioner Gordon in the Burton Batmanfilms);
  • Robert Shaw (Jaws, The Sting, The Taking of Pelham One Two Three) as the Ghost of Christmas Future;
  • Ben Gazzara as Grudge’s loving nephew Fred, Eva Marie Saint as a WWII WAVE lieutenant, and Britt Ekland as a crazed future mother;
  • Peter Sellers in A Carol for Another ChristmasBut overshadowing all of them is Peter Sellers as a crazed Santa-suit-cowboy-hat-wearing demagogue named “Imperial Me” calling for everyone to just be out for themselves.

As this brief description suggests, this is a heavy handed propaganda film that nevertheless includes some of Serling’s trademark compelling monologues and storytelling. It’s not a film for an evening of light family entertainment, but it’s a fascinating time capsule featuring an extraordinarily talented group of actors, writers and crew. If you find yourself intrigued by this introduction, it’s worth a watch – once.


If you watch it, tell us what you think of it in the comments.

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A Few More Christmas Movies

World Theatre marquee for The Best Christmas Pageant Ever

We are at the time of year when popular Christmas/holiday movies start their omnipresence.

My community-run World Theatre, where I volunteer at frequently, will have their usual lineup of Planes, TrainsAutomobiles, Home Alone, National Lampoon’s Christmas Vacation, A Christmas Story and on Christmas Eve, the classic It’s a Wonderful LifeI can enjoy all of these (other than Christmas Vacation, which I despise, but I will work at and view because my Dear Wife loves it).

But as I have written about in the past, there are a lot of other great Christmas movies that don’t get as much reliable love. I’m a big fan of Irving Berlin’s White Christmas; Bill Murray’s cruel, cruel remake of A Christmas Carol, Scrooged; another take on Dickens – The Man Who Invented Christmas; Remember the Night, a fantastic 1940s Christmas-adjacent flick staring Fred McMurray and Barbara Stanwyck; and the shamefully under-appreciated It Happened on 5th Avenue. (Follow the link above if you want to know more.)


If those aren’t enough for you, here are a few more Christmas classics and newcomers worth your time.

The Best Christmas Pageant Ever (2024) – I read Barbara Robinson’s book to my kids when they were little and loved the story of the horrible Herdman children teaching a sanctimonious church and community the true meaning of Christmas. And I will admit that I was a bit nervous when I went to see the resulting movie last year. “Faith-based” films always raise doubts in me with their overly refined versions of complex questions. But this adaptation was both incredibly enjoyable and full of the real message of the season. If you live in the Kearney area, The World has a free screening on Monday, Dec. 15th.


The Muppet Christmas Carol (1992) – There are so many versions of the Dickens classic out there that it is easy to be overwhelmed by the choices. But the Muppet version with Michael Caine playing it absolutely straight as Mr. Scrooge, is fantastic. Music from 70s pop-song composer Paul Williams , Kermit as Bob Cratchit, and Robin the Frog as Tiny Tim. Don’t think for a minute this is a Muppet satire or spoof. This is one of the great tellings of A Christmas Carol. It deserves much more attention than it gets.


The Holdovers (2023)This was one of my top movies for 2024 (Yes, it came out in 2023, but I didn’t see it until 2024, hence that’s when it went on my list…) Director Alexander Payne’s wonderful Christmas-adjacent movie starring Paul Giamatti, Da’Vine Joy Randolph, and Dominic Sessa. Randolph won a well-deserved Oscar for best supporting actress for playing the the school’s cook who is the bereaved mother of a young Vietnam soldier. The Holdovers tells the story of a misfit classics professor (Giamatti) who has to look after a small group of prep school students who have no place to go over the holidays, and the staff cook who lives at the school. It is a bittersweet story of how three characters come to terms with the circumstances life has given them.


And finally – another Christmas adjacent movie… Meet Me in St. Louis (1944) – This vehicle for Judy Garland tells the story of a series of seasons surrounding the year of the Louisiana Purchase Exposition World’s Fair. (It’s based on stories that appeared initially in The New Yorker.) While everyone remembers it for Garland’s beautiful version of “Have Yourself a Merry Little Christmas” in the winter segment, my favorite part is when everyone heads off to the fair and Garland brings down the house with “Clang, Clang, Clang went the Trolley” (Yeah, yeah, the official name is “The Trolley Song.” Who cares? CLANG, CLANG, CLANG WENT THE TROLLEY!!!!)  It also stars Marjorie Main, Mary Astor and child star Margaret O’Brien. Directed by Garland’s future husband Vincente Minnelli.


What are your favorite Christmas/Holiday films? Leave your thoughts in the comments!

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I’m back – Frankenstein, Meta & A-ha!

Editor’s Note: Sorry to have gone dark for the last couple of months. It’s been a difficult time. But I have not forgotten my blog, which I’ve had going since 2004. Going to get started back today with some simple media news links – kind of going back to where I started here, with longer essays to come. (But no more hand coding of the blog…  Word Press forever!)

Stay well, and love one another.

-REH


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How can it have been 24 years? Remembering 9/11

9/11/25 Editor’s note: Today is the 24th anniversary of the 9/11 attacks. I know better now than to try to show the “Welcome to the Rock” clip from the 9/11-themed musical Come From Away as my pre-class video in JMC 100 – Global Media Literacy. It’s just too much. But I would encourage you all to watch it.

The following stories and videos are drawn from a series of annual posts I have made over the years to commemorate 9/11.

What are your 9/11 memories? Feel free to add them to the comments below.


It was 24 years ago this morning that I was teaching my freshman media literacy course at West Virginia University.  I had a class with close to 350 students in it. C-SPAN’s Washington Journal morning show was playing on the big screen as students gathered.  At 8:30 a.m. I shut off C-SPAN and started teaching.  When I got back to my office an hour-and-a-half later, news that our world was changing was in the process of breaking.

No one knew what was happening. An airliner had hit one of the World Trade Center towers, and the skyscraper was burning. Then a second plane hit, and everyone then knew that this couldn’t have been an accident.

9/11 has always been highly personal to me.

One of my (and my Dear Wife’s) student’s father was supposed to be working in the section of the Pentagon that was hit by one of the planes. But since that area was under renovation, his dad ended up safe.

Another one of my students had a mother who was a flight attendant who flew out of the same airport the Twin Tower planes had departed from.  She was desperate for news. Fortunately, her mother was not on one of the attack planes.

One of my friends was the public radio correspondent for the area, and he ended up providing much of NPR’s coverage of the United 93 crash in Shanksville, PA.

And one of my colleagues, who taught advertising, lost an old friend in the Twin Towers collapse.

As someone who lived in West Virginia at the time, less than 100 miles from the United 93 crash site, the Sept. 11th attacks will always be personal. This was not a remote event; it was a local story directly affecting people I knew. And I will never forget the worries for my students, my neighbors, and my colleagues.


One of the last plays I saw before live theater shut down for the pandemic in March of 2020 was the brilliant and heartbreaking musical Come From Away that tells the story of the town of Gander, Newfoundland, where many of the planes crossing the Atlantic were diverted when United States airspace was shut down on 9/11. I still have to be careful when I listen to the soundtrack from the show.  I don’t think I’ve ever made it through the show without crying. Here are two of my favorite songs from the show in a radio concert performance.

“Welcome to the Rock,” that tells how everything changed for Gander in just a moment.

“Me and the Sky” is for me the heart of the show where pilot Beverly tells her story of becoming American Airlines first female captain and her horror of airliners being used as weapons.

Update: Beverly Bass, the Real-Life Pilot Portrayed in Come From Away, recalls 9/11 (from 2017)

A performance by many of the original members of the Broadway cast is now airing on Apple TV+. Watching Come From Away is one of the best ways to honor the memory of 9/11.


My next memory is a look at cameos the Twin Towers made in numerous Hollywood films. Those two giant buildings defined the New York skyline from the 1970s until 9/11:

Finally, Paul Simon singing his achingly beautiful American Tune is a good way to remember our beautiful country.

https://www.tumblr.com/ralphehanson/614023662186741760


This last memory has nothing to do with the media. It’s a brief story about a ride I took on my motorcycle to the United 93 Memorial on a rainy June day back in 2004. It was written shortly after I had recovered from a fairly serious illness, and I was happy just to be back on the road. I’ve taken to posting every year on 9/11.

Me and my old KLRTook a short ride last Saturday. The distance wasn’t much, under 200 miles, but I went through two centuries of time, ideas, and food. Which felt really good after having been ill for the last month-and-a-half.

Headed out of Morgantown about 7:30 a.m. on I68. Stopped at Penn Alps for breakfast. Nice thing about being on insulin is that I can include a few more carbs in my diet these days. Pancakes, yum! (Penn Alps, if you don’t know, runs a great Pennsylvania Dutch breakfast buffet on weekends that is well worth riding to. Just outside of Grantsville, MD.)

Then off on the real purpose of the trip. Up US 219 toward the Flight 93 Sept. 11 memorial. The ride up north on 219 is beautiful; I’ve ridden it before. I always like when you come around the bend and see the turbines for the wind farm. Some people see them as an eye sore; for me they’re a potential energy solution and a dramatic sight. Chalk one up for industrial can be beautiful.

Continue on up to Berlin, PA, where I take off on PA 160 into Pennsylvania Dutch country. I start seeing hex signs painted on bright red barns, or even hung as a wooden sign. Not quite cool enough to put on my electric vest, but certainly not warm. Then it’s heading back west on a county/state road of indeterminate designation.

Now I’m into even more “old country” country. There’s a horse-and-buggy caution sign. Off to the left there’s a big farmstead with long dark-colored dresses hanging from the line, drying in the air. They may not stay dry, based on what the clouds look like.

The irony of this ride hits pretty hard. I’m on my way to a memorial of the violence and hatred of the first shot of the 21st century world war, and I’m traveling through country that is taking me further and further back into the pacifist world of the 19th century Amish and Mennonites.

A turn or two more, following the map from the National Parks web site, and I’m on a badly scared, narrow road that is no wider and not in as good of shape as the local rail trail. (Reminds me why I like my KLR!)

It’s only here that I see the first sign for the memorial. No one can accuse the locals of playing up the nearby memorial. Perhaps more flags and patriotic lawn ornaments than usual, but no strident statements. And then the memorial is off a half-mile ahead.

The crash site is to the south, surrounded by chain-link fencing. No one but families of the victims are allowed in that area. Off a small parking area is the temporary memorial, in place until the National Park Service can build the permanent site. There’s a 40-foot long chain-link wall where people have posted remembrences, plaques on the ground ranging from hand-painted signs on sandstone, to an elaborately etched sign on granite from a motorcycle group. The granite memorial is surrounded by motorcycle images.

The messages are mostly lonely or affirming. Statements of loss, statements of praise for the heroism of the passengers and crew. But not statements of hatred. It reminds me in many ways of the Storm King Mountain firefighter memorial. Not the formal one in Glenwood Springs, but the individual ones out on the mountain where more than a dozen wildland firefighters died several years ago.

It’s time to head home. When I go to join up with US 30, it’s starting to spit rain, so I pull out the rain gloves, button down the jacket, and prepare for heading home. It rains almost the whole way back on PA 281, but I stay mostly dry in my Darien. The only problem is the collar of my too-big jacket won’t close far enough, and water dribbles down inside. It reminds me that riding in the rain, if it isn’t coming down too hard, can be almost pleasant, isolated away inside a nylon and fiberglass cocoon.

I’m home before 1 p.m.. I’ve ridden less than 200 miles. But I’ve ridden through a couple of centuries of people’s thoughts, actions, and food. And I’m finally back on the bike.

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Follow my 2025 JMC 406 Blogging Students

This fall I’m teaching my Blogging & Commentary writing class, a course I’ve taught in one form or another since the winter of 1988 (Hint: Blogging wasn’t part of the title then…)  Here are links to my students’ blogs and Threads feeds. Check them out!


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Ten Threads Accounts to Follow – 2025 Edition

This week my JMC 406 Blogging and Commentary students were asked to do one of their first posts by listing 10 Threads accounts they are following and why. You can find my students’ posts using the #JMC406 hashtag. Here’s my 2025 swing at the assignment. Some overlap from last year’s, but majority new.  I’m also trying to avoid accounts my students are likely linking to:

  1. grovesprof – Jonathan Groves
    Professor at Drury University and former journalist
  2. Tim Carman
    Award-winning Washington Post food writer and UNK journalism alum
  3. karaswisher – Kara Swisher
    Journalist at the intersection of tech/politics/culture.
  4. Brian Stelter
    CNNs once and current media reporter. Also talks about his and his spouse’s life as television journalist.
  5. Steve White News
    One of the most respected central Nebraska broadcast journalists with a focus on agricultural issues.
  6. rosannecash – Rosanne Cash
    Daughter of Johnny, one of my favorite musicians, fantastic performer. Often political.
  7. Black Girl Nerds
    Geek culture and Black feminism
  8. dkiesow – Damon Kiesow
    Knight Chair in Journalism at Mizzou. Smart commentary on journalism and media business.
  9. Chef José Andrés
    Celebrity chef and founder of global food relief non-governmental organization World Central Kitchen. (Owner of Zaytinya in Washington, D.C. – my favorite restaurant.)
  10. Jack Jenkins
    National reporter for Religion News Services

Accounts I used to have on this list:

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OG Blockbuster Jaws Back in Theaters for 50th Anniversary

Jaws, the OG summer blockbuster, is showing for the next week in theaters for its 50th anniversary. You do not want to miss this groundbreaking film on the big screen! Here in Kearney, NE, it’s showing at our community run The World Theatre through Thursday, Sept. 4. Tickets at The World are only $5, with popcorn and soda $1-$3. All your favorite movie candy is also only $3. So you can bring the whole family!

Monday through Thursday  there will be free admission for various groups:

  • Monday, 9/1, Teachers are free
  • Tuesday, 9/2, Students are free
  • Wednesday, 9/3, First responders are free
  • Thursday, 9/4, Veterans are free. 

Here’s the backstory on this groundbreaking movie and the long-running influence it’s had  on our movies.

Jaws 50th anniversary poster for Kearney, NE's World Theatre


Director Steven Spielberg is generally credited with creating the blockbuster era with the release of his 1975 summer hit Jaws. It was the first movie to gross more than $200 million, and it set the stage for the big summer movies. Prior to Jaws, it was believed that a movie had to be released during the Christmas season to be a major success. Jaws had a number of things going for it: it was directed by one of the most popular directors of the late twentieth century, it featured a compelling musical score by John Williams, and it was based on a best-selling novel by Peter Benchley.

Jaws was accompanied by a giant television advertising campaign that began three days before the movie’s release. But the marketing of the movie had started two years earlier with an announcement that the movie rights had been acquired and speculation about the stars. Journalists were taken to the production site in record numbers to keep the stories flowing. The movie’s release was scheduled to occur within six months of the publication of the paperback book, and the book’s cover included a tie-in to the movie. As the release date for the movie approached, copies of the paperback were sent out to waiters, cab drivers, and other ordinary people to build word of mouth. Finally, the movie was given a summer release date to capitalize on the beach and swimming season.

The Jaws campaign was designed to get people to the movie and talk about it. If the talk had been negative, all the advertising in the world could not have saved the movie. But with everyone talking up the movie, Jaws took off. The success of Jaws started a tradition of larger-than-life summer movies that continued with the Star Wars trilogies, the Indiana Jones series, Christopher Nolan’s Dark Knight trilogy, and the Pirates of the Caribbean series. There is an argument to be made that we have moved out of the blockbuster era and into the franchise era. That is, it’s not enough for an individual movie to stand out in its own right—it needs to be part of a complex, consistent universe containing multiple movies, such as the eleven (so far) Star Wars movies, more than thirty-three Marvel Cinematic Universe movies (with many more in production), and the fifteen DC Extended Universe films (with a reboot of the series in the works).

These movies come with a built-in market of fans waiting to see them. Paul Bettany, the British actor who plays Vision in the Avengers movies, says the series is so successful because the films are made by and for fans. “[The people at Marvel] really love those characters,” he said. “Their love for these stories is really infectious and you become really invested, and there’s a lot of invested people beyond the financials of it all. . . . This movie is made by geeks. They love them, they feel it when they’re talking about it.”

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62 years ago, MLK gave his “I Have a Dream” speech at the March on Washington. Let freedom ring!

Editor’s Note: Rerunning a favorite post this morning.

“And if America is to be a great nation this must become true. So let freedom ring from the prodigious hilltops of New Hampshire. Let freedom ring from the mighty mountains of New York. Let freedom ring from the heightening Alleghenies of Pennsylvania!

Let freedom ring from the snowcapped Rockies of Colorado!

Let freedom ring from the curvaceous slopes of California!

But not only that; let freedom ring from Stone Mountain of Georgia!

Let freedom ring from Lookout Mountain of Tennessee!

Let freedom ring from every hill and molehill of Mississippi. From every mountainside, let freedom ring.”

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