How can it have been 24 years? Remembering 9/11

9/11/25 Editor’s note: Today is the 24th anniversary of the 9/11 attacks. I know better now than to try to show the “Welcome to the Rock” clip from the 9/11-themed musical Come From Away as my pre-class video in JMC 100 – Global Media Literacy. It’s just too much. But I would encourage you all to watch it.

The following stories and videos are drawn from a series of annual posts I have made over the years to commemorate 9/11.

What are your 9/11 memories? Feel free to add them to the comments below.


It was 24 years ago this morning that I was teaching my freshman media literacy course at West Virginia University.  I had a class with close to 350 students in it. C-SPAN’s Washington Journal morning show was playing on the big screen as students gathered.  At 8:30 a.m. I shut off C-SPAN and started teaching.  When I got back to my office an hour-and-a-half later, news that our world was changing was in the process of breaking.

No one knew what was happening. An airliner had hit one of the World Trade Center towers, and the skyscraper was burning. Then a second plane hit, and everyone then knew that this couldn’t have been an accident.

9/11 has always been highly personal to me.

One of my (and my Dear Wife’s) student’s father was supposed to be working in the section of the Pentagon that was hit by one of the planes. But since that area was under renovation, his dad ended up safe.

Another one of my students had a mother who was a flight attendant who flew out of the same airport the Twin Tower planes had departed from.  She was desperate for news. Fortunately, her mother was not on one of the attack planes.

One of my friends was the public radio correspondent for the area, and he ended up providing much of NPR’s coverage of the United 93 crash in Shanksville, PA.

And one of my colleagues, who taught advertising, lost an old friend in the Twin Towers collapse.

As someone who lived in West Virginia at the time, less than 100 miles from the United 93 crash site, the Sept. 11th attacks will always be personal. This was not a remote event; it was a local story directly affecting people I knew. And I will never forget the worries for my students, my neighbors, and my colleagues.


One of the last plays I saw before live theater shut down for the pandemic in March of 2020 was the brilliant and heartbreaking musical Come From Away that tells the story of the town of Gander, Newfoundland, where many of the planes crossing the Atlantic were diverted when United States airspace was shut down on 9/11. I still have to be careful when I listen to the soundtrack from the show.  I don’t think I’ve ever made it through the show without crying. Here are two of my favorite songs from the show in a radio concert performance.

“Welcome to the Rock,” that tells how everything changed for Gander in just a moment.

“Me and the Sky” is for me the heart of the show where pilot Beverly tells her story of becoming American Airlines first female captain and her horror of airliners being used as weapons.

Update: Beverly Bass, the Real-Life Pilot Portrayed in Come From Away, recalls 9/11 (from 2017)

A performance by many of the original members of the Broadway cast is now airing on Apple TV+. Watching Come From Away is one of the best ways to honor the memory of 9/11.


My next memory is a look at cameos the Twin Towers made in numerous Hollywood films. Those two giant buildings defined the New York skyline from the 1970s until 9/11:

Finally, Paul Simon singing his achingly beautiful American Tune is a good way to remember our beautiful country.

https://www.tumblr.com/ralphehanson/614023662186741760


This last memory has nothing to do with the media. It’s a brief story about a ride I took on my motorcycle to the United 93 Memorial on a rainy June day back in 2004. It was written shortly after I had recovered from a fairly serious illness, and I was happy just to be back on the road. I’ve taken to posting every year on 9/11.

Me and my old KLRTook a short ride last Saturday. The distance wasn’t much, under 200 miles, but I went through two centuries of time, ideas, and food. Which felt really good after having been ill for the last month-and-a-half.

Headed out of Morgantown about 7:30 a.m. on I68. Stopped at Penn Alps for breakfast. Nice thing about being on insulin is that I can include a few more carbs in my diet these days. Pancakes, yum! (Penn Alps, if you don’t know, runs a great Pennsylvania Dutch breakfast buffet on weekends that is well worth riding to. Just outside of Grantsville, MD.)

Then off on the real purpose of the trip. Up US 219 toward the Flight 93 Sept. 11 memorial. The ride up north on 219 is beautiful; I’ve ridden it before. I always like when you come around the bend and see the turbines for the wind farm. Some people see them as an eye sore; for me they’re a potential energy solution and a dramatic sight. Chalk one up for industrial can be beautiful.

Continue on up to Berlin, PA, where I take off on PA 160 into Pennsylvania Dutch country. I start seeing hex signs painted on bright red barns, or even hung as a wooden sign. Not quite cool enough to put on my electric vest, but certainly not warm. Then it’s heading back west on a county/state road of indeterminate designation.

Now I’m into even more “old country” country. There’s a horse-and-buggy caution sign. Off to the left there’s a big farmstead with long dark-colored dresses hanging from the line, drying in the air. They may not stay dry, based on what the clouds look like.

The irony of this ride hits pretty hard. I’m on my way to a memorial of the violence and hatred of the first shot of the 21st century world war, and I’m traveling through country that is taking me further and further back into the pacifist world of the 19th century Amish and Mennonites.

A turn or two more, following the map from the National Parks web site, and I’m on a badly scared, narrow road that is no wider and not in as good of shape as the local rail trail. (Reminds me why I like my KLR!)

It’s only here that I see the first sign for the memorial. No one can accuse the locals of playing up the nearby memorial. Perhaps more flags and patriotic lawn ornaments than usual, but no strident statements. And then the memorial is off a half-mile ahead.

The crash site is to the south, surrounded by chain-link fencing. No one but families of the victims are allowed in that area. Off a small parking area is the temporary memorial, in place until the National Park Service can build the permanent site. There’s a 40-foot long chain-link wall where people have posted remembrences, plaques on the ground ranging from hand-painted signs on sandstone, to an elaborately etched sign on granite from a motorcycle group. The granite memorial is surrounded by motorcycle images.

The messages are mostly lonely or affirming. Statements of loss, statements of praise for the heroism of the passengers and crew. But not statements of hatred. It reminds me in many ways of the Storm King Mountain firefighter memorial. Not the formal one in Glenwood Springs, but the individual ones out on the mountain where more than a dozen wildland firefighters died several years ago.

It’s time to head home. When I go to join up with US 30, it’s starting to spit rain, so I pull out the rain gloves, button down the jacket, and prepare for heading home. It rains almost the whole way back on PA 281, but I stay mostly dry in my Darien. The only problem is the collar of my too-big jacket won’t close far enough, and water dribbles down inside. It reminds me that riding in the rain, if it isn’t coming down too hard, can be almost pleasant, isolated away inside a nylon and fiberglass cocoon.

I’m home before 1 p.m.. I’ve ridden less than 200 miles. But I’ve ridden through a couple of centuries of people’s thoughts, actions, and food. And I’m finally back on the bike.

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Follow my 2025 JMC 406 Blogging Students

This fall I’m teaching my Blogging & Commentary writing class, a course I’ve taught in one form or another since the winter of 1988 (Hint: Blogging wasn’t part of the title then…)  Here are links to my students’ blogs and Threads feeds. Check them out!


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Ten Threads Accounts to Follow – 2025 Edition

This week my JMC 406 Blogging and Commentary students were asked to do one of their first posts by listing 10 Threads accounts they are following and why. You can find my students’ posts using the #JMC406 hashtag. Here’s my 2025 swing at the assignment. Some overlap from last year’s, but majority new.  I’m also trying to avoid accounts my students are likely linking to:

  1. grovesprof – Jonathan Groves
    Professor at Drury University and former journalist
  2. Tim Carman
    Award-winning Washington Post food writer and UNK journalism alum
  3. karaswisher – Kara Swisher
    Journalist at the intersection of tech/politics/culture.
  4. Brian Stelter
    CNNs once and current media reporter. Also talks about his and his spouse’s life as television journalist.
  5. Steve White News
    One of the most respected central Nebraska broadcast journalists with a focus on agricultural issues.
  6. rosannecash – Rosanne Cash
    Daughter of Johnny, one of my favorite musicians, fantastic performer. Often political.
  7. Black Girl Nerds
    Geek culture and Black feminism
  8. dkiesow – Damon Kiesow
    Knight Chair in Journalism at Mizzou. Smart commentary on journalism and media business.
  9. Chef José Andrés
    Celebrity chef and founder of global food relief non-governmental organization World Central Kitchen. (Owner of Zaytinya in Washington, D.C. – my favorite restaurant.)
  10. Jack Jenkins
    National reporter for Religion News Services

Accounts I used to have on this list:

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OG Blockbuster Jaws Back in Theaters for 50th Anniversary

Jaws, the OG summer blockbuster, is showing for the next week in theaters for its 50th anniversary. You do not want to miss this groundbreaking film on the big screen! Here in Kearney, NE, it’s showing at our community run The World Theatre through Thursday, Sept. 4. Tickets at The World are only $5, with popcorn and soda $1-$3. All your favorite movie candy is also only $3. So you can bring the whole family!

Monday through Thursday  there will be free admission for various groups:

  • Monday, 9/1, Teachers are free
  • Tuesday, 9/2, Students are free
  • Wednesday, 9/3, First responders are free
  • Thursday, 9/4, Veterans are free. 

Here’s the backstory on this groundbreaking movie and the long-running influence it’s had  on our movies.

Jaws 50th anniversary poster for Kearney, NE's World Theatre


Director Steven Spielberg is generally credited with creating the blockbuster era with the release of his 1975 summer hit Jaws. It was the first movie to gross more than $200 million, and it set the stage for the big summer movies. Prior to Jaws, it was believed that a movie had to be released during the Christmas season to be a major success. Jaws had a number of things going for it: it was directed by one of the most popular directors of the late twentieth century, it featured a compelling musical score by John Williams, and it was based on a best-selling novel by Peter Benchley.

Jaws was accompanied by a giant television advertising campaign that began three days before the movie’s release. But the marketing of the movie had started two years earlier with an announcement that the movie rights had been acquired and speculation about the stars. Journalists were taken to the production site in record numbers to keep the stories flowing. The movie’s release was scheduled to occur within six months of the publication of the paperback book, and the book’s cover included a tie-in to the movie. As the release date for the movie approached, copies of the paperback were sent out to waiters, cab drivers, and other ordinary people to build word of mouth. Finally, the movie was given a summer release date to capitalize on the beach and swimming season.

The Jaws campaign was designed to get people to the movie and talk about it. If the talk had been negative, all the advertising in the world could not have saved the movie. But with everyone talking up the movie, Jaws took off. The success of Jaws started a tradition of larger-than-life summer movies that continued with the Star Wars trilogies, the Indiana Jones series, Christopher Nolan’s Dark Knight trilogy, and the Pirates of the Caribbean series. There is an argument to be made that we have moved out of the blockbuster era and into the franchise era. That is, it’s not enough for an individual movie to stand out in its own right—it needs to be part of a complex, consistent universe containing multiple movies, such as the eleven (so far) Star Wars movies, more than thirty-three Marvel Cinematic Universe movies (with many more in production), and the fifteen DC Extended Universe films (with a reboot of the series in the works).

These movies come with a built-in market of fans waiting to see them. Paul Bettany, the British actor who plays Vision in the Avengers movies, says the series is so successful because the films are made by and for fans. “[The people at Marvel] really love those characters,” he said. “Their love for these stories is really infectious and you become really invested, and there’s a lot of invested people beyond the financials of it all. . . . This movie is made by geeks. They love them, they feel it when they’re talking about it.”

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62 years ago, MLK gave his “I Have a Dream” speech at the March on Washington. Let freedom ring!

Editor’s Note: Rerunning a favorite post this morning.

“And if America is to be a great nation this must become true. So let freedom ring from the prodigious hilltops of New Hampshire. Let freedom ring from the mighty mountains of New York. Let freedom ring from the heightening Alleghenies of Pennsylvania!

Let freedom ring from the snowcapped Rockies of Colorado!

Let freedom ring from the curvaceous slopes of California!

But not only that; let freedom ring from Stone Mountain of Georgia!

Let freedom ring from Lookout Mountain of Tennessee!

Let freedom ring from every hill and molehill of Mississippi. From every mountainside, let freedom ring.”

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Brad Pitt’s “F1” adds to the pantheon of great racing movies

This weekend, our local community The World Theatre will be showing Brad Pitt’s Formula One racing movie “F1.” As always, tickets are just $5 with popcorn and soda each available from $1-$3. Bit of a bargain compared to the $3,000 “cheap seats” for the upcoming Circuit of the America’s race in Austin, Texas.


F1 tells the fictional story of former race great Sonny Hayes (Pitt) being recruited by old friend and struggling F1 team owner Ruben Cervantes (Javier Bardem) to try to bring the team a much needed victory. Hayes teams up with up-and-comer Joshua Pearce (Damson Idris) who has a lot of skill but no idea how to really race. Although it is clearly a testosterone-heavy film, it also has compelling female performances from Pearce’s mother, Bernadette (Sarah Niles, best known for stage and TV roles); and team technical director Kate McKenna (Kerry Condon, who brings her unabashed Irish regional accent that shone in the eminently weird and wonderful movie The Banshees of Inisherin).

Directed by Joseph Kosinski (Top Gun: Maverick), much of the movie was shot at actual F1 races in 2023 and 2024. While I’m not a car racing fan, I was for years a big motorcycle racing fan, and I was really impressed how the plot followed the importance of tire management and successful pit stops. While the producers did not have their own cars in the races, they were able to digitally “skin” two of the actual race cars with pseudo paint jobs to make them match Pitt’s and Idriss’ fictional cars. I know the movie has faced the inevitable criticism of Formula One fans for not being realistic, but honestly, I found it immensely enjoyable for characters, story and race drama.

I loved watching F1 in it’s initial run at our local commercial theater, and I can’t wait to see it again this weekend at The World.


Watching F1 brought to mind a number of older racing movies that I would love to find time to rewatch.


Most recently, that would be 2023’s Ferrari staring Adam Driver as Enzo Ferrari and Penélope Cruz as his estranged wife Laura Ferrari. Cruz is absolutely ferocious in this story based on the 1957 race season as Enzo tries to put together a team that can get a badly needed win in a 1,000-mile endurance race, and he struggles even harder, along with Laura, to come to terms with the death of their son Dino. While I thought Driver did well as Enzo, it was Cruz’s portrayal of the betrayed Laura who dominates the film.


The second variation on this theme was director James Mangold’s Ford v. Ferrari, which looks at the real-life 1966 battle between Ford and their new GT40 designed to compete against Ferrari in the 24 Hours of LeMans. The movie stars Matt Damon as the legendary driver and car designer Carroll Shelby and Christian Bale as Ken Miles, the English race car driver. As is always the case with movies based on real-life events, there is considerable fictionalization, but it’s still a great look at one of the great racing battles.


But as good as all three of these are, none are better than director Ron Howard’s Rush. Unlike these previous films, this is the story not of the cars but two rival drivers trying to establish who is better during the 1976 Formula One campaign. Chris Hemsworth (best known for as Marvel’s Thor) plays the passionate British playboy driver James Hunt, who drove for McLaren. German/Spanish actor Daniel Brühl (who became famous as the Marvel villain Helmut Zero) plays the cold, calculating Niki Lauda, an Austrian driver for Ferrari. This is not only a story about these drivers on the track but about how they approach their personal relationships and adversities.


Finally, we close this out by taking a big step back in time reminding you to take look at John Frankenheimer’s 1966 giant Grand Prix, staring James Garner, Eva Marie Saint, and cinematographer  Lionel Lindon’s gorgeous Super Panavision 70mm camerawork. It is a typical 1960s “epic film,” with an international cast and an almost 3-hour run time.


Epilogue – If you are a hard core racing fan, you might want to see Steve McQueen’s Le Mans, which tells the story of a fictional 1970 24 Hours of Le Mans endurance race. The film has virtually no plot with few meaningful characters, but it has some of the best race footage ever to appear in a dramatic movie.


Do you have a favorite racing movie of any type you’d like to mention? Tell us about it in the comments!

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Everyone’s Gone to the Movies – Original Star Wars Edition

Editor’s Note: We’re going to have two or three summer movie blog posts coming up in the next week. For this one we’re looking at a rare screening of the original non-special-edition Star Wars.

Original Star Wars Trailer image

Click to play the original 1977 theatrical Star Wars trailer.

Original 1977 print of Star Wars screened in Britain
Back in the summer of 1977 I was 17 years old and was blown away by a new movie called Star Wars. I was so blown away by it I went to see it in the theater every weekend all summer long for a total of 13 times. I know that sounds excessive, but this was before streaming, before common availability of cable movie channels, before even the VCR. If you wanted to see a movie, you had to see it in person in the theater. So I don’t really think I was that over the top…

One of the things I noticed over the summer was how the 35mm print gradually deteriorated. New scratches would appear and bits of the film would disappear as the film broke repeatedly. At my local theater, the most notable change was that the sequence with the mouse robot kept getting shorter and shorter as the film kept breaking at the same spot.

Now, with digital prints, projecting a movie on the 100th screening looks exactly like the projection from opening night.

Except…

Star Wars director and producer George Lucas has never been able to leave his movies alone. In between the 1977 release of Star Wars and the 1980 release of The Empire Strikes Back, the original Star Wars acquired a new heading: Before the crawl, it was now Star Wars: Episode IV, A New Hope.

Then, in 1997, for the movie’s 20th anniversary, Lucas released new “Special Editions” of the original three movies with new digital effects and some controversial editorial changes – most notably changing things so “Han didn’t shoot first” in his confrontation with Greedo.

Han shoots first at Greedo in the 1977 version of Star Wars.

Ever since that time, Star Wars purists (your author included) have been begging to be able to see trilogy in all of its original analog effects glory. But Lucas not only stands thoroughly behind the Special Editions (he says they were how he always intended the movies to look), he also claims the original editions no longer exist.

That’s mostly true, though not entirely. I have a DVD set of the Special Edition original trilogy that includes the (mostly) original versions as bonus disks. But… these are very old school with non-anamorphic prints that have the black bars permanently baked in. This means that if you try to view it on your modern HDTV, you will have a very small image in the middle of your screen surrounded by the black bars, rendering it essentially unwatchable. The only way I’ve been able acceptably view these is by taking rips of them and viewing them on my iPad.

There is also a “de-specialized” version of the movie floating around online that have been assembled from a number of sources, reportedly including “2011 special edition Blu-rays, the 2006 bonus DVD, a 2004 HDTV telecast, a scan of an old 35-millimeter print, and a handful of other sources.”

But in June this summer some 900 fans got to see Star Wars just the way I did when I first saw it in the summer of 1977.  The British Film Institute  pulled their original dye transfer Technicolor 35 mm print for two plays at their Film on Film Festival.

As reported by NPR:

“We’re not saying come and see this on a film print as part of nostalgia,” said James Bell, a senior curator of fiction at the British Film Institute National Archive and the programming director of the festival. “We’re saying there’s a real qualitative, aesthetic difference to seeing a film projected on a film print. I think that’s exciting to anyone, whether you’re a Star Wars fan or not.”

In an interesting side note, Kathleen Kennedy, Lucasfilm’s president, attended the screening and held a conversation with BFI’s host. One can only hope that someday Lucasfilm will see fit to release a high-quality home video version of the original trilogy.

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Media giants doing the come together/separation dance

Where have I been?
Busy end of the semester and then a fair bit of traveling with family and on the motorcycle. Still have a fair amount of travel coming up, but will try to keep up better here.

Warner Bros. Discovery following in the footsteps of News Corp./Fox and Viacom/CBS

Dancing the minuetMedia companies seem to be fond of dancing a minuet of coming together and then separating recently.

Back in the summer of 2012, Rupert Murdoch announced he was splitting News Corporation and 20th Century Fox into two separate companies, primarily so that their stocks could trade separately – with News Corp. being devoted to books, newspapers, and database publishing; and Fox being devoted to entertainment programing (including, oddly enough, Fox News).

Viacom and CBS went a similar route early in the century, dancing back and forth before ending up together under the Paramount banner.They are currently dancing in circles trying to work out the merger of Paramount and Skydance Media sometime in 2025.

So now it’s the turn of Warner Bros. Discovery, a relatively recent creation when Discovery Inc. purchased WarnerMedia to strengthen their streaming portfolio, to become two separately traded companies. According to Variety:

The streaming company will encompass the Warner TV and movie studios, HBO and HBO Max and a games and experiences division. The company will focus on building out the HBO Max streaming service and investing in programming. Meanwhile, the TV company will include Warner’s TV networks around the world along with specific digital brands tied to the TV entities, including Discovery+, Bleacher Report and CNN’s new streaming products.

Media giant Comcast is also headed in the same direction before long. According to CNBC, it will be splitting into a streaming/cable company called Versant (as in short for conversant) that would include USA, CNBC, MSNBC, Oxygen, E!, SYFY and Golf Channel as well as the movie web sitesFandango and Rotten Tomatoes. Comcast will then contain the NBC broadcast network, Peacock streaming service, Universal Studios, the theme parks and Bravo.

All this talk of dancing gets me thinking of the folks on Bridgerton cavorting to the sounds of the Vitamin String Quartet.

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Free Speech and High School Students – Who Controls What Gets Printed?

Marcus Pennell, left, and Emma Smith — former Viking Saga newspaper staffers — outside Northwest High School in Grand Island, Neb., July 20. (McKenna Lamoree/The Independent via AP)

It’s never good for a high school when a reporter or editor of the school paper is writing a commentary for the Washington Post. Generally, when that happens, the school administration or school board has come down hard with some form of censorship on the student newspaper. That’s what happened in Grand Island, Nebraska, in June 2022.

Northwest High School’s Viking Saga had a pretty conventional cover, with a lead story about four siblings who had moved through a range of foster care but were now getting adopted into one family. Other stories on the cover told the story of a student whose sculpture was honored in a national competition, the appeal of trapshooting as a competitive sport, and the success of the school’s Future Business Leaders of America group. But what caught the attention of the school’s administration and the school board were a collection of articles dealing with LGBTQ+ issues, including a history of Pride Month under the headline “Pride and Prejudice: LGBTQIA+” written by associate editor Emma Smith, a commentary on the science of gender by staff writer Hiapatia McIntosh, and an editorial on Florida’s controversial “Don’t Say Gay” bill written by trans staff writer Marcus Pennell.

Only Marcus’s article was under the name “Meghan Pennell,” the name Marcus had been born with. A month or so before the paper was shut down and the newspaper journalism class canceled, the staff had been reprimanded after publishing preferred pronouns and names for bylines and in articles. District officials told students they could use only birth names from that point on.

The Washington Post helped bring national attention to the newspaper’s shutdown, or “cancellation” as some of the students referred to it, when it published a commentary by Pennell. Following his graduation, Pennell wrote:

The trouble started when I changed five letters in my first name.

My birth certificate reads “Meghan.” But my peers at Northwest High School in Nebraska knew me as “Marcus.” Changing my name wasn’t supposed to be a political statement. But our local school board has turned it into one…. Whether the administra- tion, parents or other students liked it or not, there were LGBTQ kids at Northwest, and taking away our liberty to be ourselves wasn’t going to change that.

Officially, the school district’s administration declined to say why or how the newspaper was shut down, but an email from a school employee to the Grand Island Independent local newspaper said it was “because the school board and superintendent are unhappy with the last issue’s editorial content.” The school board vice president had been previously quoted as saying, “I do think there have been talks of doing away with our newspaper if we were not going to be able to control con- tent that we saw (as) inappropriate.”

This all raises the question: Can the school district legally do this? Can it shut down a long-running, award-winning newspaper and cancel the newspaper curriculum just because it doesn’t like the paper writing about queer issues? In Nebraska, the answer was mostly “yes,” even if the district in the long run had a hard time making the cancellation stick. In principle, high school students do have free speech rights, but if a student newspaper is produced as part of a class activity, the school can control its content for any “legitimate education reason,” under the U.S. Supreme Court’s Hazelwood School District v. Kuhlmeier decision that ruled that high school newspapers have only minimal protection under the First Amendment. And unlike some nearby states like Iowa and Kansas, Nebraska has not passed a law protecting the free speech rights of student publications.

After enrolling as a journalism major at the University of Nebraska Omaha, Pennell, along with the Nebraska High School Press Association, with help from the American Civil Liberties Union of Nebraska, sued Grand Island Northwest Public Schools and its superintendent in federal district court, claiming that the district had violated Pennell’s First Amendment rights. The case was eventually dismissed by the judge because Pennell was no longer a student at the high school, but he noted, “School administrators would be wise to remember that policies and decisions to restrict speech in student newspapers … may run afoul of the First Amendment if they reflect ‘an effort to suppress expression merely because the public officials oppose a speaker’s view.’”

As for the student newspaper Viking Saga, it returned in the spring of 2023 as an online publication with a new faculty adviser, along with the class for producing it.

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How “Death of a Unicorn” connects with reality

So there is a strange, violent, bloody, incredibly funny movie out this spring called Death of a Unicorn starring Paul Rudd, Jenna Ortega, Téa Leoni, and Richard E. Grant. Dear Wife and I saw it Thursday evening at The World Theatre, our local non-profit, volunteer-run community movie theatre.(Playing also Friday night and Sunday afternoon  – Full disclosure, I’m a regular volunteer there.)

On our way home from this oddball film, it occurred to me that I had already known quite a bit of its backstory from an article I thought I had read in the New Yorker maybe 10 years ago that might have been written by science and thriller writer Douglas Preston.

I was sorta close – It was almost exactly 20 years ago and the article was written by Doug’s brother, Richard Preston. Capturing the Unicorn tells the story of a collection of seven tapestries known as “The Hunt for the Unicorn” that hang in the Cloisters annex of the New York Metropolitan Museum of Art. They were created for unknown purposes in approximately 1500, most likely in Brussels or Liège, and are commonly considered to be both the greatest tapestries of all time and some of the greatest art of the Middle Ages.


There are a host of theories about why they were made and by whom.  A night guard at the Cloisters spent a lifetime of work observing the tapestries and attempting to derive the meaning from them. Art historians question the guard’s unconventional interpretations of them, but then again they haven’t spent decades living in direct proximity of them, either. JSTOR Daily discusses much of the imagery in these multicolored hangings enhanced with sliver and gold thread, but I will leave it to you, Dear Reader, to investigate.

Here are images of three of them from the Met’s web site:

The Unicorn Purifies Water – from the Unicorn Tapestries at The Met. Click on image for more information.

The Unicorn Defends Himself – from the Unicorn Tapestries at The Met. Click on image for more information.

The Unicorn Rests in the Garden – from the Unicorn Tapestries at The Met. Click on image for more information.


These tapestries have inspired a great deal of modern storytelling about unicorns, including animation in the opening sequence of the film The Last Unicorn.

They also showed up as inspiration for the art in my favorite graphic novel, Darwin Carmichael is Going to Hell, by Sophie Goldstein and Jenn Jordan. The scene below is taken from a sequence about Darwin visiting a unicorn park in New York City.

Scene from the graphic novel Darwin Carmichael is Going to Hell, by Sophie Goldstein and Jenn Jordan. For those who are wondering, Yes, Butter’s the Unicorn is a shout-out to Kate Beaton’s Fat Pony.


SPOILER ALERT – From here on out we will be discussing plot points from the movie Death of a Unicorn.


So after those digressions, let’s get back to the subject at hand.

Death of a Unicorn starts with the premise that these tapestries were something more than art, something more than guidance to young French aristocrats, something more than art designed to torment art curators centuries after their creation. Suppose that they portrayed a previous time when unicorns and humans really interacted with each other, where unicorns had magical powers and loved virgins who were pure of heart.

Suppose then also that these unicorns were hiding out in the present day in the mountains of British Columbia and that their blood was a cure for all that ailed humans….

That’s the story writer/director Alex Scharfman tells in his horror/comedy film from the trendy A24 studio (which brought us both Everything, Everywhere, All At Once and The Brutalist).  The film is full of standard movie tropes – the evil pharmaceutical exec; his self-absorbed, selfish family; the neglectful father and his disaffected daughter; and monstrous unicorns. Ok, that last part is not such a standard trope.

I went down the rabbit hole this morning digging into the story of the tapestries because I wondered how accurately the movie told the story of the tapestries – both about where they came from and what story the fabrics themselves told. Aside from the idea that the tapestries were telling a true story, the one bit of fictional speculation in the movie was where missing sections (in real life) from the tapestries were replaced by segments depicting more extreme unicorn violence. The rest stays fairly close to the story told within the tapestries.


Death of a Unicorn is undoubtedly violent and silly. It’s also an enjoyable, fun movie if you like your horror with a good dose of art history.

 

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